1. ⁘  ⁘  ⁘
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  11. Anderson, Gretchen 7
  12. anxiety 9
  13. Appleton, Maggie 5
  14. Aptekar-Cassels, Wesley 5
  15. Arango, Jorge 4
  16. architecture 110
  17. art 86
  18. Asimov, Isaac 5
  19. attention 17
  20. Auping, Michael 6
  21. Aurelius, Marcus 14
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  23. Baker, Nicholson 10
  24. beauty 58
  25. Behrensmeyer, Anna K. 7
  26. Bell, Larry 3
  27. Bjarnason, Baldur 8
  28. Blake, William 5
  29. blogging 22
  30. body 11
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  33. Botton, Alain de 38
  34. Brand, Stewart 4
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  36. Brooks, Frederick P. 22
  37. Broskoski, Charles 6
  38. brutalism 7
  39. building 16
  40. bureaucracy 12
  41. Burnham, Bo 9
  42. business 15
  43. Byron, Lord 14
  44. Cagan, Marty 8
  45. Calvino, Italo 21
  46. Camus, Albert 13
  47. care 6
  48. Carruth, Shane 15
  49. Cegłowski, Maciej 6
  50. Cervantes, Miguel de 7
  51. chance 11
  52. change 16
  53. Chiang, Ted 4
  54. childhood 6
  55. Chimero, Frank 17
  56. choice 8
  57. cities 51
  58. Clark, Robin 3
  59. Cleary, Thomas 8
  60. Cleary, J.C. 8
  61. code 20
  62. collaboration 18
  63. collections 31
  64. Collison, Simon 3
  65. color 23
  66. commonplace 11
  67. communication 31
  68. community 7
  69. complexity 11
  70. connection 24
  71. constraints 25
  72. construction 9
  73. content 9
  74. Corbusier, Le 13
  75. Coyier, Chris 4
  76. craft 66
  77. creativity 59
  78. crime 9
  79. Critchlow, Tom 5
  80. critique 10
  81. Cross, Nigel 12
  82. Cross, Anita Clayburn 10
  83. css 11
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  85. curiosity 11
  86. cycles 7
  87. Danielewski, Mark Z. 4
  88. darkness 28
  89. Darwin, Will 10
  90. data 8
  91. death 38
  92. Debord, Guy 6
  93. decisions 10
  94. design 131
  95. details 31
  96. Dickinson, Emily 9
  97. Dieste, Eladio 4
  98. discovery 9
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  100. Dorn, Brandon 11
  101. drawing 23
  102. Drucker, Peter F. 15
  103. Duany, Andres 18
  104. Eatock, Daniel 4
  105. economics 13
  106. efficiency 7
  107. Eisenman, Peter 8
  108. Eliot, T.S. 14
  109. emotion 8
  110. ending 14
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  112. Eno, Brian 4
  113. ethics 14
  114. euphony 38
  115. Evans, Benedict 4
  116. evolution 9
  117. experience 14
  118. farming 8
  119. fashion 11
  120. features 25
  121. feedback 6
  122. flaws 10
  123. Flexner, Abraham 8
  124. food 16
  125. form 19
  126. Fowler, Martin 4
  127. Franklin, Ursula M. 30
  128. friendship 6
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  132. gardens 26
  133. Garfield, Emily 4
  134. Garfunkel, Art 6
  135. geography 8
  136. geometry 18
  137. goals 9
  138. Gombrich, E. H. 4
  139. goodness 12
  140. Graham, Paul 37
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  143. Hamming, Richard 45
  144. happiness 17
  145. Harford, Tim 4
  146. Harper, Thomas J. 15
  147. Hayes, Brian 28
  148. heat 7
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  151. Heschong, Lisa 27
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  153. history 13
  154. Hoffman, Yoel 10
  155. Hofstadter, Douglas 6
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  157. Hoy, Amy 4
  158. Hoyt, Ben 5
  159. html 11
  160. Hudlow, Gandalf 4
  161. humanity 16
  162. humor 6
  163. Huxley, Aldous 7
  164. hypermedia 22
  165. i 18
  166. ideas 21
  167. identity 33
  168. images 10
  169. industry 9
  170. information 42
  171. infrastructure 17
  172. innovation 15
  173. interaction 10
  174. interest 10
  175. interfaces 37
  176. intuition 8
  177. invention 10
  178. Irwin, Robert 65
  179. Isaacson, Walter 28
  180. Ishikawa, Sara 33
  181. iteration 13
  182. Ive, Jonathan 6
  183. Jackson, Steven J. 14
  184. Jacobs, Jane 54
  185. Jacobs, Alan 5
  186. Jobs, Steve 20
  187. Jones, Nick 5
  188. Kahn, Louis 4
  189. Kakuzō, Okakura 23
  190. Kaufman, Kenn 4
  191. Keith, Jeremy 6
  192. Keller, Jenny 10
  193. Kelly, Kevin 3
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  195. Ketheswaran, Pirijan 6
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  204. Kramer, Karen L. 10
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  206. Kuma, Kengo 18
  207. language 20
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  209. life 59
  210. light 31
  211. loneliness 12
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  215. Luu, Dan 8
  216. Lynch, Kevin 12
  217. MacIver, David R. 8
  218. MacWright, Tom 5
  219. Magnus, Margaret 12
  220. making 77
  221. management 14
  222. Manaugh, Geoff 27
  223. Markson, David 16
  224. Mars, Roman 13
  225. material 39
  226. math 16
  227. McCarter, Robert 21
  228. meaning 33
  229. media 16
  230. melancholy 51
  231. memory 28
  232. metaphor 10
  233. metrics 19
  234. microsites 49
  235. Miller, J. Abbott 10
  236. Mills, C. Wright 9
  237. minimalism 10
  238. Miyazaki, Hayao 30
  239. Mod, Craig 15
  240. modularity 6
  241. Mollison, Bill 31
  242. morality 8
  243. Murakami, Haruki 21
  244. music 16
  245. Müller, Boris 7
  246. Naka, Toshiharu 8
  247. names 11
  248. Naskrecki, Piotr 5
  249. nature 51
  250. networks 15
  251. Noessel, Christopher 7
  252. notetaking 35
  253. novelty 11
  254. objects 16
  255. order 10
  256. ornament 9
  257. Orwell, George 7
  258. Ott, Matthias 4
  259. ownership 6
  260. Pallasmaa, Juhani 41
  261. Palmer, John 8
  262. patterns 11
  263. Patton, James L. 9
  264. Pawson, John 21
  265. perception 22
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  281. problems 31
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  322. Simms, Matthew 19
  323. Simon, Paul 6
  324. simplicity 14
  325. Singer, Ryan 12
  326. skill 17
  327. Sloan, Robin 5
  328. Smith, Cyril Stanley 29
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  330. Smith, Rach 4
  331. socializing 7
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  335. Somers, James 8
  336. Sorkin, Michael 56
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  345. style 30
  346. Sun, Chuánqí 15
  347. symbols 12
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  349. Sōetsu, Yanagi 34
  350. Sōseki, Natsume 8
  351. Tanaka, Tomoyuki 9
  352. Tanizaki, Jun'ichirō 15
  353. taste 10
  354. Taylor, Dorian 16
  355. teaching 21
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  365. transportation 16
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texture

Close
  • Whose eyes had seen and whose fingers had felt

    Aristotle’s 18 qualities of homoeomerous bodies that he chose to explain in detail in his Meteorologica, are just those fine points of behavior that would be noticed in a workshop. They are:

    solidifiable
    meltable
    softenable by heat
    softenable by water
    flexible
    breakable
    fragmentable
    capable of taking an impression
    plastic
    squeezable
    ductile
    malleable
    fissile
    curable
    viscous
    compressible
    combustible
    capable of giving off fumes

    This redundant list of properties is not the neat classification of a philosopher. It reads more as if it were based on a conversation with a workman whose eyes had seen and whose fingers had felt the intricacies of the behavior of materials.

    Matter versus Materials: A Historical View
    • craft
    • material
    • texture
    • collections
  • Restrained beauty

    Braun design had a beauty that was more than skin deep. It would be wrong to say that because the Braun approach spurned fashion in an ongoing quest for functional and useable perfection, it ended up with this beauty by accident. There is a very strong aesthetic sense in both the proportion and materials of nearly all the products of the Rams era. They have a ‘restrained beauty’, he admits.

    Braun products designed by Rams and his team have a haptic aesthetic as well: when you pick them up, handle them, and use them as the tools they are supposed to be, you become aware of the effort that has gone into making them sit comfortably in the hand, of the texture, weight and balance they possess, and of the satisfying click of the control buttons.

    Sophie Lovell & Dieter Rams, Dieter Rams: As Little Design as Possible
    1. ​​Such an unholy alliance​​
    • beauty
    • touch
    • texture
  • White walls

    12.jpeg

    When people say that white walls are cold and characterless, I wonder whether they have ever stopped to look at one. It's not just about the drama of light and shadow, although I love the fragment of the ghost chair in this picture, but the way the smallest nuances of texture and tone come alive in certain conditions.

    John Pawson, A Visual Inventory
    • light
    • texture
    • walls
  • The interplay of pattern and texture

    Some of the more enjoyable surfaces (for example, the grain of a fine mahogany table top or a Japanese sword) have an interplay between pattern and texture which, though two-dimensional, suggests the unseen internal three-dimensional array.

    Cyril Stanley Smith, A Search for Structure
    • texture
  • American Folk Art Museum, New York City, 1998–2001

    American Folk Art Museum facade.jpeg

    As we draw closer, we see that the three-faceted planes of the museum are fabricated out of rectangular panels made of white bronze that was poured directly into dammed forms on the concrete floor of the foundry, producing a surface texture similar to both metal and stone.

    Robert McCarter & Juhani Pallasmaa, Understanding Architecture
    • material
    • texture
  • In search of visual texture

    An Article by Rachel Prudden
    obliqueville.substack.com
    3C7AC130-F9E3-4569-BF32-E977C3DDD6B8.png

    I’m now more inclined to attribute Looseleaf’s power to its visual texture than to some cognitive media-style abstraction. And the visual texture owes more to the beauty (yes, beauty!) of the original pdfs from the Vasulka Archive. Perhaps the demo is best understood not as a prototype generic tool, but as a specific curated experience in its own right, with form and content claiming equal importance in its overall success.

    Even so, I think there are some general lessons that can be drawn from this demo:

    • Content is not inert
    • Visual texture lets content breathe
    • Visual texture lets the eye wander without losing itself
    1. ​​Looseleaf​​
    • texture
    • typography
    • beauty
    • interfaces
    • visualization
  • Subtilitas

    A Blog
    www.subtilitas.site

    SUBTĪLITĀS (latin; noun f., 3rd):
    fineness of texture, logic, detail; slenderness, exactness, acuteness; sharpness : precision

    1. ​​1/3 House​​
    2. ​​Sprössling​​
    3. ​​OIA Office Building​​
    4. ​​Hospital, Solothurn – Silvia Gmür & Reto Gmür​​
    • architecture
    • geometry
    • texture
    • details

    An architectural blog showcasing mostly modernist and later residential architecture.


See also:
  1. material
  2. beauty
  3. craft
  4. collections
  5. touch
  6. architecture
  7. geometry
  8. details
  9. light
  10. walls
  11. typography
  12. interfaces
  13. visualization
  1. Robert McCarter
  2. Juhani Pallasmaa
  3. Cyril Stanley Smith
  4. Sophie Lovell
  5. Dieter Rams
  6. John Pawson
  7. Rachel Prudden