1. ⁘  ⁘  ⁘
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  3. Abo, Akinori 9
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  5. agile 30
  6. Albers, Josef 17
  7. Alexander, Christopher 135
  8. Alexander, Scott 5
  9. Allsopp, John 4
  10. Ammer, Ralph 6
  11. Anderson, Gretchen 7
  12. anxiety 9
  13. Appleton, Maggie 5
  14. Aptekar-Cassels, Wesley 5
  15. Arango, Jorge 4
  16. architecture 110
  17. art 86
  18. Asimov, Isaac 5
  19. attention 17
  20. Auping, Michael 6
  21. Aurelius, Marcus 14
  22. Bachelard, Gaston 12
  23. Baker, Nicholson 10
  24. beauty 58
  25. Behrensmeyer, Anna K. 7
  26. Bell, Larry 3
  27. Bjarnason, Baldur 5
  28. Blake, William 5
  29. blogging 21
  30. body 11
  31. Boeing, Geoff 7
  32. boredom 9
  33. Botton, Alain de 38
  34. Brand, Stewart 4
  35. Bringhurst, Robert 16
  36. Brooks, Frederick P. 22
  37. Broskoski, Charles 6
  38. brutalism 7
  39. building 16
  40. bureaucracy 12
  41. Burnham, Bo 9
  42. business 15
  43. Byron, Lord 14
  44. Cagan, Marty 6
  45. Calvino, Italo 21
  46. Camus, Albert 13
  47. care 6
  48. Carruth, Shane 15
  49. Cegłowski, Maciej 6
  50. Cervantes, Miguel de 7
  51. chance 11
  52. change 16
  53. Chiang, Ted 4
  54. Chimero, Frank 17
  55. choice 8
  56. cities 51
  57. Clark, Robin 3
  58. Cleary, Thomas 8
  59. Cleary, J.C. 8
  60. code 20
  61. collaboration 16
  62. collections 31
  63. Collison, Simon 3
  64. color 23
  65. commonplace 10
  66. communication 31
  67. community 7
  68. complexity 11
  69. connection 24
  70. constraints 25
  71. construction 9
  72. content 9
  73. Corbusier, Le 13
  74. Coyier, Chris 4
  75. craft 65
  76. creativity 58
  77. crime 9
  78. Critchlow, Tom 5
  79. critique 10
  80. Cross, Nigel 12
  81. Cross, Anita Clayburn 10
  82. css 11
  83. culture 13
  84. curiosity 11
  85. cycles 7
  86. Danielewski, Mark Z. 4
  87. darkness 28
  88. Darwin, Will 10
  89. data 8
  90. death 38
  91. Debord, Guy 6
  92. decisions 9
  93. design 131
  94. details 30
  95. Dickinson, Emily 9
  96. Dieste, Eladio 4
  97. discovery 9
  98. doors 7
  99. Dorn, Brandon 11
  100. drawing 23
  101. Drucker, Peter F. 15
  102. Duany, Andres 18
  103. Eatock, Daniel 4
  104. economics 13
  105. efficiency 7
  106. Eisenman, Peter 8
  107. Eliot, T.S. 14
  108. emotion 8
  109. ending 14
  110. engineering 11
  111. Eno, Brian 4
  112. ethics 14
  113. euphony 38
  114. Evans, Benedict 4
  115. evolution 9
  116. experience 14
  117. farming 8
  118. fashion 11
  119. features 25
  120. feedback 6
  121. flaws 10
  122. Flexner, Abraham 8
  123. food 16
  124. form 18
  125. Fowler, Martin 4
  126. Franklin, Ursula M. 30
  127. friendship 6
  128. fun 7
  129. function 31
  130. games 13
  131. gardens 26
  132. Garfield, Emily 4
  133. Garfunkel, Art 6
  134. geography 8
  135. geometry 18
  136. goals 9
  137. Gombrich, E. H. 4
  138. goodness 12
  139. Graham, Paul 37
  140. graphics 13
  141. Greene, Erick 6
  142. Hamming, Richard 45
  143. happiness 17
  144. Harford, Tim 4
  145. Harper, Thomas J. 15
  146. Hayes, Brian 28
  147. heat 7
  148. Heinrich, Bernd 7
  149. Herbert, Frank 4
  150. Heschong, Lisa 27
  151. Hesse, Herman 6
  152. history 13
  153. Hoffman, Yoel 10
  154. Hofstadter, Douglas 6
  155. home 15
  156. Hoy, Amy 4
  157. Hoyt, Ben 5
  158. html 11
  159. Hudlow, Gandalf 4
  160. humanity 16
  161. humor 6
  162. Huxley, Aldous 7
  163. hypermedia 22
  164. i 18
  165. ideas 19
  166. identity 33
  167. images 10
  168. industry 9
  169. information 42
  170. infrastructure 17
  171. innovation 14
  172. interaction 10
  173. interest 10
  174. interfaces 36
  175. intuition 8
  176. invention 10
  177. Irwin, Robert 65
  178. Isaacson, Walter 28
  179. Ishikawa, Sara 33
  180. iteration 13
  181. Ive, Jonathan 6
  182. Jackson, Steven J. 14
  183. Jacobs, Jane 54
  184. Jacobs, Alan 5
  185. Jobs, Steve 20
  186. Jones, Nick 5
  187. Kahn, Louis 4
  188. Kakuzō, Okakura 23
  189. Kaufman, Kenn 4
  190. Keith, Jeremy 6
  191. Keller, Jenny 10
  192. Kelly, Kevin 3
  193. Keqin, Yuanwu 8
  194. Ketheswaran, Pirijan 6
  195. Kingdon, Jonathan 5
  196. Kitching, Roger 7
  197. Klein, Laura 4
  198. Kleon, Austin 13
  199. Klinkenborg, Verlyn 24
  200. Klyn, Dan 20
  201. knowledge 28
  202. Kohlstedt, Kurt 11
  203. Kramer, Karen L. 10
  204. Krishna, Golden 10
  205. Kuma, Kengo 18
  206. language 20
  207. learning 29
  208. life 59
  209. light 31
  210. loneliness 12
  211. love 25
  212. Lovell, Sophie 16
  213. Lupton, Ellen 11
  214. Luu, Dan 8
  215. Lynch, Kevin 12
  216. MacIver, David R. 8
  217. MacWright, Tom 5
  218. Magnus, Margaret 12
  219. making 77
  220. management 14
  221. Manaugh, Geoff 27
  222. Markson, David 16
  223. Mars, Roman 13
  224. material 39
  225. math 16
  226. McCarter, Robert 21
  227. meaning 33
  228. media 16
  229. melancholy 51
  230. memory 28
  231. metaphor 10
  232. metrics 19
  233. microsites 49
  234. Miller, J. Abbott 10
  235. Mills, C. Wright 9
  236. minimalism 10
  237. Miyazaki, Hayao 30
  238. Mod, Craig 15
  239. modularity 6
  240. Mollison, Bill 31
  241. morality 8
  242. Murakami, Haruki 21
  243. music 16
  244. Müller, Boris 7
  245. Naka, Toshiharu 8
  246. names 11
  247. Naskrecki, Piotr 5
  248. nature 51
  249. networks 15
  250. Noessel, Christopher 7
  251. notetaking 34
  252. novelty 10
  253. objects 15
  254. order 10
  255. ornament 9
  256. Orwell, George 7
  257. Ott, Matthias 4
  258. ownership 6
  259. Pallasmaa, Juhani 41
  260. Palmer, John 8
  261. patterns 11
  262. Patton, James L. 9
  263. Pawson, John 21
  264. perception 22
  265. perfection 7
  266. performance 17
  267. Perrine, John D. 9
  268. Petroski, Henry 24
  269. philosophy 6
  270. photography 20
  271. physics 6
  272. Pinker, Steven 8
  273. place 14
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  275. Plater-Zyberk, Elizabeth 18
  276. poetry 13
  277. politics 9
  278. Pollan, Michael 6
  279. practice 10
  280. problems 31
  281. process 22
  282. production 7
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  284. products 20
  285. programming 9
  286. progress 16
  287. Pye, David 42
  288. quality 25
  289. questions 8
  290. Radić, Smiljan 20
  291. Rams, Dieter 16
  292. Rao, Venkatesh 14
  293. reading 16
  294. reality 13
  295. Reichenstein, Oliver 5
  296. religion 11
  297. Rendle, Robin 12
  298. repair 28
  299. research 17
  300. Reveal, James L. 4
  301. Richards, Melanie 3
  302. Richie, Donald 10
  303. Rougeux, Nicholas 4
  304. Rowe, Peter G. 10
  305. Rupert, Dave 4
  306. Ruskin, John 5
  307. Satyal, Parimal 9
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  309. Sayers, Dorothy 32
  310. Schaller, George B. 7
  311. Schwulst, Laurel 5
  312. science 17
  313. seeing 36
  314. Sennett, Richard 45
  315. senses 11
  316. Seuss, Dr. 14
  317. Shakespeare, William 4
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  319. silence 9
  320. Silverstein, Murray 33
  321. Simms, Matthew 19
  322. Simon, Paul 6
  323. simplicity 14
  324. Singer, Ryan 12
  325. skill 17
  326. Sloan, Robin 5
  327. Smith, Cyril Stanley 29
  328. Smith, Justin E. H. 6
  329. Smith, Rach 4
  330. socializing 7
  331. society 23
  332. software 66
  333. solitude 12
  334. Somers, James 8
  335. Sorkin, Michael 56
  336. sound 14
  337. space 20
  338. Speck, Jeff 18
  339. speech 6
  340. spirit 10
  341. streets 10
  342. structure 13
  343. Strunk, William 15
  344. Ström, Matthew 13
  345. style 30
  346. Sun, Chuánqí 15
  347. symbols 12
  348. systems 18
  349. Sōetsu, Yanagi 34
  350. Sōseki, Natsume 8
  351. Tanaka, Tomoyuki 9
  352. Tanizaki, Jun'ichirō 15
  353. taste 10
  354. Taylor, Dorian 16
  355. teaching 21
  356. teamwork 16
  357. technology 41
  358. texture 7
  359. thinking 30
  360. Thoreau, Henry David 8
  361. time 54
  362. Tolkien, J.R.R. 6
  363. tools 32
  364. touch 8
  365. transportation 16
  366. Trombley, Nick 44
  367. truth 15
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  370. typography 25
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objects

Close
  • All the way through

    "There's a consistency to physical objects that somehow reads all the way through, so that when you make a physical object, if it lacks the proper amount of weight or if it lacks a certain density...I mean, if its outside says, 'I weigh so much and I have such-and-such a density,' and when you pick it up, you discover an inconsistency there, then you can sense that, you can see it, even without picking it up. It's absolutely essential that everything be done all the way through."

    Lawrence Wechler & Robert Irwin, Seeing Is Forgetting the Name of the Thing One Sees
    1. ​​Invisible substance​​
    2. ​​A great painting has to be better than it has to be​​
    3. ​​Finished on the inside​​
    4. ​​Signing party​​
    5. ​​Why YKK zippers are the brown M&Ms of product design​​
    6. ​​You'll know it's there​​
    • objects
    • craft
  • The way it has been made

    The internal structure of a work of art in metal can often throw as much, or more, light on its origin as can be derived from stylistic analysis. Moreover, the techniques employed can provide clues to the habits of mind of the people who originated them.

    …Perhaps the most important reason for structural studies of museum objects is that the intimate knowledge so derived as to the way in which an object has been made adds so greatly to the aesthetic enjoyment of it. Very often some detail and sometimes the whole of an effective design arises directly in the exploitation of the merits and the overcoming of the difficulties of a specific technique, in the reaction between the artist’s fingers and his material.

    The Interpretation of Microstructures of Metallic Artifacts
    • history
    • technique
    • making
    • objects
  • The meaning of objects

    The meaning of objects is harder to grasp than that of words.

    The Interpretation of Microstructures of Metallic Artifacts
    • meaning
    • objects
  • Feeble and ugly

    Thus in order to be called mingei an object must be wholesomely and honestly made for practical use. This calls for the careful selection of material, the employment of methods that are in keeping with the work to be done, and attention to detail. It is only this that produces bona fide objects that will be of practical use in life. Looking at recent works, however, what one sees is an emphasis on visual appreciation over utility and the cutting of corners in the production process, resulting in objects that can only be called feeble and ugly.

    Yanagi Sōetsu, What is Folk Craft?
    • details
    • function
    • objects
  • What is this static modernism?

    Why can't office buildings use doorknobs that are truly knob-like in shape? What is this static modernism that architects of the second tier have imposed on us: steel half-U handles or lathed objects shaped like superdomes, instead of brass, porcelain, or glass knobs? The upstairs doorknobs in the house I grew up in were made of faceted glass. As you extended your fingers to open a door, a cloud of flesh-color would diffuse into the glass from the opposite direction. The knobs were loosely seated in their latch mechanism, and heavy, and the combination of solidity and laxness made for a multiply staged experience as you turned the knob: a smoothness that held intermediary tumbleral fallings-into-position. Few American products recently have been able to capture that same knuckly, orthopedic quality.

    Nicholson Baker, The Mezzanine
    1. ​​The door handle is the handshake of a building​​
    • modernism
    • doors
    • touch
    • objects
  • No ordinary objects

    Abandoned by the world, no longer of use, but still carefully repaired and preserved, these were no ordinary objects. The reasons for their maintenance remain a mystery. At this point, they could only be described as "art". No—not so much "art" as something that exceeds art...

    Hyperart.

    Genpei Akasegawa & Matt Fargo, Hyperart: Thomasson
    • art
    • repair
    • thomassons
    • objects
  • The people we love

    The objects we describe as beautiful are versions of the people we love.

    Alain de Botton, The Architecture of Happiness
    • love
    • objects
  • Interlocking

    "The art world is highly invested in the idea that you can take an object and set it in a room, and the internal relationships will be so strong and so meaningful that all the kinds of change that take place on the object as a result of its being in a new environment will not critically affect our perception of the object. If that is the given assumption, then the object can be moved from one environment to another without its being critically altered, which then gives rise to the illusion that it can be moved from culture to culture, that it has the ability to transcend its cultural specificity, which in turn gives rise to the ultimate illusion that the object can transcend time. Because what is being claimed is that there exist certain objects isolated and meaningful enough to be transcendent, that they have the power to go on and on, that they are, as it were, timeless.

    "Well, one of the things that I was becoming involved in at that point in playing artist was the growing suspicion that this breaking down of the edge, the idea of the painting's moving into its environment, was putting the whole heightened rationale of the art object into doubt. There is simply no real separation line, only an intellectual one, between the object and its time environment. They are completely interlocking: nothing can exist in the world independent of all the other things in the world."

    Lawrence Wechler & Robert Irwin, Seeing Is Forgetting the Name of the Thing One Sees
    1. ​​Deep Interlock​​
    • context
    • change
    • environment
    • objects
  • Van Gogh

    One of the things people generally admired about Van Gogh, even though they were not always aware of it, was the way he could make even a chair seem to have anxiety in it. Or a pair of boots.

    David Markson, Wittgenstein's Mistress
    • anxiety
    • objects
  • The secret life of sculpture

    The sculptures are arranged in informal groupings, carefully placed to catch the natural light that brings them to life, so that, when we enter the room, it seems we have interrupted an ongoing conversation among them.

    Robert McCarter & Juhani Pallasmaa, Understanding Architecture
    • objects
    • community
  • What we are accustomed to call beautiful

    Most objects which we are accustomed to call beautiful, such as a painting or a tree, are single-purpose things, in which, through long development or the impress of one will, there is an intimate, visible linkage from fine detail to total structure.

    Kevin Lynch, The Image of the City
    • beauty
    • objects
    • structure
  • Dieter Rams: As Little Design as Possible

    A Book by Sophie Lovell & Dieter Rams
    www.phaidon.com
    1. ​​Beyond improvement​​
    2. ​​Cardinal sin​​
    3. ​​On display​​
    4. ​​Long-term​​
    5. ​​Humble servants​​
    1. ​​Good design is practical design​​
    • design
    • objects
    • style
    • minimalism
  • The Mezzanine

    A Novel by Nicholson Baker
    www.goodreads.com
    1. ​​White cloth​​
    2. ​​Colors in nature​​
    3. ​​A blue glow​​
    4. ​​Each fascinating crisis​​
    5. ​​My skate blade's gorge​​
    1. ​​20 Minutes in Manhattan​​
    • objects
  • The Design of Everyday Things

    A Book by Don Norman
    1. ​​When engineers refuse to leave well enough alone​​
    • ux
    • design
    • objects
  • Light & Shadow

    An Artwork by Kumi Yamashita
    kumiyamashita.com
    Image from kumiyamashita.com on 2020-12-24 at 12.41.54 PM.jpeg
    Image from kumiyamashita.com on 2020-12-24 at 12.41.59 PM.jpeg
    Image from kumiyamashita.com on 2020-12-24 at 12.41.54 PM.jpeg

    CHAIR, 2014
    FRAGMENTS, 2009

    I sculpt using both light and shadow. I construct single or multiple objects and place them in relation to a single light source. The complete artwork is therefore comprised of both the material (the solid objects) and the immaterial (the light or shadow).

    • light
    • darkness
    • objects

See also:
  1. design
  2. community
  3. beauty
  4. structure
  5. context
  6. change
  7. environment
  8. craft
  9. style
  10. minimalism
  11. ux
  12. anxiety
  13. love
  14. art
  15. repair
  16. thomassons
  17. meaning
  18. modernism
  19. doors
  20. touch
  21. light
  22. darkness
  23. details
  24. function
  25. history
  26. technique
  27. making
  1. Lawrence Wechler
  2. Robert Irwin
  3. Nicholson Baker
  4. Robert McCarter
  5. Juhani Pallasmaa
  6. Kevin Lynch
  7. Sophie Lovell
  8. Dieter Rams
  9. Don Norman
  10. David Markson
  11. Alain de Botton
  12. Genpei Akasegawa
  13. Matt Fargo
  14. Kumi Yamashita
  15. Yanagi Sōetsu