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  55. choice 8
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  60. code 20
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  64. commonplace 11
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  232. Miller, J. Abbott 10
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sound

Close
  • Upstream Color Original Soundtrack

    1. Leaves Expanded May Be Prevailing Blue Mixed With Yellow Of The Sand
    2. I Used To Wonder At The Halo Of Light Around My Shadow And Would Fancy Myself One Of The Elect
    3. Fearing That They Would Be Light-headed For Want Of Food And Also Sleep
    4. Stirring Them Up As The Keeper Of A Menagerie His Wild Beasts
    5. The Finest Qualities Of Our Nature Like The Bloom On Fruits Can Be Preserved
    6. Perhaps The Wildest Sound That Is Ever Heard Here Making The Woods Ring Far And Wide
    7. I Love To Be Alone
    8. A Young Forest Growing Up Under Your Meadows
    9. Their Roots Reaching Quite Under The House
    10. The Rays Which Stream Through The Shutter Will Be No Longer Remembered When The Shutter Is Wholly Removed
    11. After Soaking Two Years And Then Lying High Six Months It Was Perfectly Sound Though Waterlogged Past Drying
    12. The Sun Is But A Morning Star
    13. A Low And Distant Sound Gradually Swelling And Increasing
    14. As If It Would Have A Universal And Memorable Ending
    15. A Sullen Rush And Roar
    Shane Carruth, Upstream Color
    www.discogs.com
    1. ​​Walden​​
    2. ​​I love to be alone​​
    • euphony
    • nature
    • loneliness
    • melancholy
    • sound
    • ending
  • To carve a volume into the void of darkness

    The nocturnal sound is a reminder of human solitude and mortality, and it makes one conscious of the entire slumbering city. Anyone who has become entranced by the sound of dripping water in the darkness of a ruin can attest to the extraordinary capacity of the ear to carve a volume into the void of darkness. The space traced by the ear in the darkness becomes a cavity sculpted directly in the interior of the mind.

    Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses
    • sound
    • darkness
    • sleep
    • solitude
  • The arbitrariness of the sign

    A key difference between verbal language and the modernist ideal of a visual “language” is the arbitrariness of a verbal sign, which has no natural, inherent relationship to the concept it represents. The sound of the word “horse”, for example, does not innately resemble the concept of a horse. Ferdinand de Saussure called this arbitrariness the fundamental feature of the verbal sign. The meaning of a sign is generated by its relationship to other signs in the language: the sign’s legibility lies in its difference from other signs.

    Ellen Lupton & J. Abbott Miller, The ABC's of ▲■●: The Bauhaus and Design Theory
    1. ​​Gods of the Word​​
    • sound
    • meaning
    • language

    In Gods of the Word, Margaret Magnus suggests that verbal language is not arbitrary – that sounds do have inherent meaning.

  • Auditory Hallucinations from Offworld Megafarms

    Image from www.bldgblog.com on 2020-08-26 at 11.24.31 AM.jpeg

    "The combination of a worldwide shift to GM crops and rising global temperatures led to a series of global disasters, destroying many natural resources and causing a permanent environmental imbalance. Earth’s leaders make the choice to outsource all food production to off-world corporately owned farm planets, known as ‘flatlands’." — Luke Sanger on the album Onyx Pyramid

    The music, Sanger writes, is a kind of fictional soundtrack for a landscape of offworld megafarms, where a human skeleton crew has been reporting “auditory hallucinations” amplified by the effects of an artificial atmosphere. Audio scifi.

    Geoff Manaugh, BLDGBLOG
    www.bldgblog.com
    1. ​​An information service society​​
    • sound
    • farming
    • futurism
    • cosmos
  • Most important of all are the pauses

    Japanese music is above all a music of reticence, of atmosphere. When recorded, or amplified by a loudspeaker, the greater part of its charm is lost. In conversation, too, we prefer the soft voice, the understatement. Most important of all are the pauses. Yet the phonograph and radio render these moments of silence utterly lifeless. And so we distort the arts themselves to curry favor for them with the machines.

    Jun'ichirō Tanizaki & Thomas J. Harper, In Praise of Shadows
    • sound
    • silence
    • absence
    • emptiness
  • The distance of a whisper.

    Michael Sorkin, Two Hundred Fifty Things an Architect Should Know
    • sound
    • architecture
  • Silence

    A Book by John Cage
    archive.org
    1. ​​I would want to be in that darkness​​
    1. ​​The Sound Of Silence​​
    • sound
    • silence
    • music
    • art
    • zen
  • Sonic architecture

    An Article by Daisy Alioto
    dirt.substack.com

    Brian Eno is well-represented in iOS. His other apps like Bloom, Trope and Air invite listeners to touch the screen to make their own composition. Reflection ($30.99) is different, there is no interaction for the listener. The interface has three buttons: a pause button, a sleep timer, and AirPlay. Reflection produces endless permutations of Eno’s 2017 album, an hour and five minute long title track.

    “Just calling it an app is akin to saying Falling Water is just a building,” writes one app store reviewer. “I would not call this an app,” agrees another, “Between the music and visuals it’s more like sonic architecture.” The visuals consist of slowly morphing rectangles that only seem to change in the split second you look away from the screen.

    • architecture
    • sound
    • music
  • drawing.garden

    A Website by Ben Moren
    drawing.garden
    Screenshot of drawing.garden on 2020-08-16 at 1.59.18 PM.png

    Gardening, but with emojis and less time.

    1. ​​A Brief History of the Digital Garden​​
    2. ​​emojraw.glitch.me (draw!)​​
    • sound
    • www
    • fun
    • joy
    • microsites
    • gardens
  • tree.fm

    A Website
    www.tree.fm

    Tune Into Forests From Around The World. Escape, Relax & Preserve.

    1. ​​Shinrin-yoku​​
    • sound
    • nature
    • trees
    • music
    • microsites
  • An audio professional's take on vinyl

    An Article
    aestheticsforbirds.com

    The analog-digital debate in audio is a longstanding one, and while it is unlikely to be resolved anytime soon, I thought I might be able to offer some background as a longtime audio professional and musician. Recordings are a beautiful mix of technical and aesthetic concerns, and this post will attempt to tease out how to navigate these two framings of music recording, especially with regard to the often-oversimplified distinction between analog and digital recordings.

    • material
    • sound
    • music
  • A Library Demand List

    A Website by Robin Sloan
    www.robinsloan.com

    This visualization takes the current New York Times Best Sellers list for combined print and e-book fiction and scales each title according to the demand for its e-book edition at a collection of U.S. public libraries, selected for their size and geographic diversity.

    • visualization
    • sound
    • microsites

    I wouldn't have found this single-use visualization particularly notable if not for the wonderful little sounds that play when you click on the different scaling buttons. I love that. More apps and websites should use (optional) sound. Unobtrusive, helpful feedback.

  • Makespace.fun

    An Application
    makespace.fun

    In today’s software, live video feeds are stuck inside static rectangles that can’t go anywhere. MakeSpace flips all that on its head. Your cursor is your live face, and you can roam free, controlling who and what you want to be close to.

    1. ​​Spatial Interfaces​​
    • details
    • ux
    • communication
    • sound
    • space

    "If a tree falls in MakeSpace, you'll hear it… and know where it fell. That's because sound is spatial here — you can hear where voices and sounds are coming from. And if you need a quiet moment, simply step away."

    Pssssst: Use Caps Lock to broadcast your voice at full volume across the entire Space. For moments when you need everyone's attention.

  • Picking locks with audio technology

    An Article
    cacm.acm.org
    Inference-of-key-shape-750x503.png

    The series of audible, metallic clicks made as a key penetrates a lock can now be deciphered by signal processing software to reveal the precise shape of the sequence of ridges on the key's shaft. Knowing this, a working copy of it can then be 3D printed.

    1. ​​A Burglar's Guide to the City​​
    • crime
    • security
    • sound

    Also referenced by FlowingData.


See also:
  1. music
  2. microsites
  3. silence
  4. architecture
  5. nature
  6. absence
  7. emptiness
  8. art
  9. zen
  10. details
  11. ux
  12. communication
  13. space
  14. www
  15. fun
  16. joy
  17. gardens
  18. crime
  19. security
  20. euphony
  21. loneliness
  22. melancholy
  23. ending
  24. farming
  25. futurism
  26. cosmos
  27. meaning
  28. language
  29. darkness
  30. sleep
  31. solitude
  32. trees
  33. visualization
  34. material
  1. Jun'ichirō Tanizaki
  2. Thomas J. Harper
  3. Michael Sorkin
  4. John Cage
  5. Ben Moren
  6. Shane Carruth
  7. Geoff Manaugh
  8. Ellen Lupton
  9. J. Abbott Miller
  10. Juhani Pallasmaa
  11. Robin Sloan
  12. Daisy Alioto