1. ⁘  ⁘  ⁘
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  7. Alexander, Christopher 135
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  11. Anderson, Gretchen 7
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  13. Appleton, Maggie 5
  14. Aptekar-Cassels, Wesley 5
  15. Arango, Jorge 4
  16. architecture 110
  17. art 86
  18. Asimov, Isaac 5
  19. attention 17
  20. Auping, Michael 6
  21. Aurelius, Marcus 14
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  23. Baker, Nicholson 10
  24. beauty 58
  25. Behrensmeyer, Anna K. 7
  26. Bjarnason, Baldur 8
  27. Blake, William 5
  28. blogging 22
  29. body 11
  30. Boeing, Geoff 7
  31. boredom 9
  32. Botton, Alain de 38
  33. Brand, Stewart 4
  34. Bringhurst, Robert 16
  35. Brooks, Frederick P. 22
  36. Broskoski, Charles 6
  37. brutalism 7
  38. building 16
  39. bureaucracy 12
  40. Burnham, Bo 9
  41. business 15
  42. Byron, Lord 14
  43. Cagan, Marty 8
  44. Calvino, Italo 21
  45. Camus, Albert 13
  46. care 6
  47. Carruth, Shane 15
  48. Cegłowski, Maciej 6
  49. Cervantes, Miguel de 7
  50. chance 11
  51. change 16
  52. Chiang, Ted 4
  53. childhood 6
  54. Chimero, Frank 17
  55. choice 8
  56. cities 51
  57. Clark, Robin 3
  58. Cleary, Thomas 8
  59. Cleary, J.C. 8
  60. code 20
  61. collaboration 18
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  63. color 23
  64. commonplace 11
  65. communication 31
  66. community 7
  67. complexity 11
  68. connection 24
  69. constraints 25
  70. construction 9
  71. content 9
  72. Corbusier, Le 13
  73. Coyier, Chris 4
  74. craft 66
  75. creativity 59
  76. crime 9
  77. Critchlow, Tom 5
  78. critique 10
  79. Cross, Nigel 12
  80. Cross, Anita Clayburn 10
  81. css 11
  82. culture 13
  83. curiosity 11
  84. cycles 7
  85. Danielewski, Mark Z. 4
  86. darkness 28
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  89. death 38
  90. Debord, Guy 6
  91. decisions 10
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  93. details 31
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  95. Dieste, Eladio 4
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  100. Drucker, Peter F. 15
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  105. Eisenman, Peter 8
  106. Eliot, T.S. 14
  107. emotion 8
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  110. Eno, Brian 4
  111. ethics 14
  112. euphony 38
  113. Evans, Benedict 4
  114. evolution 9
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  116. farming 8
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  120. flaws 10
  121. Flexner, Abraham 8
  122. food 16
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  124. Fowler, Martin 4
  125. Franklin, Ursula M. 30
  126. friendship 6
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  135. goals 9
  136. Gombrich, E. H. 4
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  138. Graham, Paul 37
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  146. heat 7
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  148. Herbert, Frank 4
  149. Heschong, Lisa 27
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  151. history 13
  152. Hoffman, Yoel 10
  153. Hofstadter, Douglas 6
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  156. Hoyt, Ben 5
  157. html 11
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  159. humanity 16
  160. humor 6
  161. Huxley, Aldous 7
  162. hypermedia 22
  163. i 18
  164. ideas 21
  165. identity 33
  166. images 10
  167. industry 9
  168. information 42
  169. infrastructure 17
  170. innovation 15
  171. interaction 10
  172. interest 10
  173. interfaces 37
  174. intuition 8
  175. invention 10
  176. Irwin, Robert 65
  177. Isaacson, Walter 28
  178. Ishikawa, Sara 33
  179. iteration 13
  180. Ive, Jonathan 6
  181. Jackson, Steven J. 14
  182. Jacobs, Jane 54
  183. Jacobs, Alan 5
  184. Jobs, Steve 20
  185. Jones, Nick 5
  186. Kahn, Louis 4
  187. Kakuzō, Okakura 23
  188. Kaufman, Kenn 4
  189. Keith, Jeremy 6
  190. Keller, Jenny 10
  191. Keqin, Yuanwu 8
  192. Ketheswaran, Pirijan 6
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  199. knowledge 29
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  216. Magnus, Margaret 12
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  222. material 39
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  224. McCarter, Robert 21
  225. meaning 33
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  227. melancholy 52
  228. memory 29
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  230. metrics 19
  231. microsites 49
  232. Miller, J. Abbott 10
  233. Mills, C. Wright 9
  234. minimalism 10
  235. Miyazaki, Hayao 30
  236. Mod, Craig 15
  237. modularity 6
  238. Mollison, Bill 31
  239. morality 8
  240. Murakami, Haruki 21
  241. music 16
  242. Müller, Boris 7
  243. Naka, Toshiharu 8
  244. names 11
  245. Naskrecki, Piotr 5
  246. nature 51
  247. networks 15
  248. Neustadter, Scott 3
  249. Noessel, Christopher 7
  250. notetaking 35
  251. novelty 11
  252. objects 16
  253. order 10
  254. ornament 9
  255. Orwell, George 7
  256. Ott, Matthias 4
  257. ownership 6
  258. Pallasmaa, Juhani 41
  259. Palmer, John 8
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  326. Smith, Cyril Stanley 29
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  328. Smith, Rach 4
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  333. Somers, James 8
  334. Sorkin, Michael 56
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  337. Speck, Jeff 18
  338. spirit 10
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  348. Sōseki, Natsume 8
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Space

Close
  • Doing nothing with precision

    For his part, Gehry has noted in defense of his recent museum extravaganzas: "artists want to be in an important building, not a neutral one." At Dia:Beacon, Irwin pursued the opposite logic. As Govan has pointed out: "The money was spent to make it look like nothing was done to the building." Or, as a partner from Open Office observes: "We talked often about the idea of doing nothing with precision. Do it right and they'll never know we were here." As one critic has written, what the result showed was, as he puts it, "Irwin's unwavering conviction that museum spaces should serve the art and not the other way around."

    Matthew Simms, Robert Irwin: A Conditional Art
    • space
    • architecture
    • art
    • design
  • 159. Light on Two Sides of Every Room

    Problem

    When they have a choice, people will always gravitate to those rooms which have light on two sides, and leave the rooms which are lit only from one side unused and empty.

    Solution

    Locate each room so that it has outdoor space outside it on at least two sides, and then place windows in these outdoor walls so that natural light falls into every room from more than one direction.

    Christopher Alexander, Murray Silverstein & Sara Ishikawa, A Pattern Language
    1. ​​Daylight should not tyrannize architecture​​
    • light
    • space
  • The picket fence

    There was a fence with spaces you
    could look through if you wanted to.

    An architect who saw this thing
    stood there one summer evening.

    Took out the spaces with great care
    and built a castle in the air.

    The fence was utterly dumbfounded,
    each post stood there with nothing round it.

    Christian Morgenstern, The Art of Looking Sideways
    www.andrew.cmu.edu
    • space
    • architecture
    • absurdity
  • The measuring unit of all space

    The piece was titled The Portal, referring to a large opening in the center of the wall. Whether you want to call it art or architecture, it was a testament to the amazing presence that can be shown by a simple wall, which [Tadao Ando] has referred to as "the measuring unit of all space."

    Michael Auping, Stealth Architecture: The Rooms of Light and Space
    • walls
    • space
  • Light and Space

    IMG_6290.jpg
    Robert Irwin, Robert Irwin: A Conditional Art
    1. ​​Perfectly Clear (Ganzfield)​​
    • light
    • space
  • The reality of the building

    One day I went to my study at Taliesen to sit down and rest. I picked up a little book just received from the ambassador to America from Japan. It was called The Book of Tea by Okakura Kakuzo. I wonder how many of you have read it? Well, in that little book I came upon quotations from the great Chinese poet-prophet Laotze, things he had said five hundred years before Jesus. As I turned the pages I suddenly came across this: "The reality of the building does not consist in the four walls and the roof but in the space within to be lived in..."

    The answer is, reality is the space within, into which you can put something. In other words, the idea. And so it is with architecture; so it is with your lives; and so it is with everything you can experience as reality. You will soon find out for yourselves if you begin to work with this principle in mind, that things will open to you...Therein lies the secret of great peace, missing in Western Civilization today.

    Frank Lloyd Wright, The Book of Tea
    • space
  • Content-responsive space

    D05D93C6-98B1-4DF4-A7BA-106BDCA0F36A_1_105_c.jpg

    Content-responsive spaces in text can be as meaningful as spaces and line breaks in computer code, poetry, math, dialogues, cartoons.

    For 1500 years, printed text has used grids indifferent/hostile to meaning. Content-responsive grids are better than imperious grid-possessed layouts. To clarify and intensity meaning, authors and editors can remodel relations between spaces and words...insisting on control of line breaks by authors (who, after all, know the content).

    Edward Tufte, Seeing With Fresh Eyes
    1. ​​Start drawing, then put the box around it​​
    • space
  • The spaces between things

    1.jpeg

    It's easy to underestimate the significance of the spaces between things...as soon as you frame a section of the view with architecture, the eye has a place to rest and previously invisible details come into focus.

    John Pawson, A Visual Inventory
    • space
  • I am the space where I am

    Je suis l'espace où je suis.

    This is a great line. But nowhere can it be better appreciated than in a corner.

    Gaston Bachelard, The Poetics of Space
    • identity
    • space
  • At a uniformly comfortable termperature

    In America our tendency has been to get away from thermal conditions as a determinant of behavior. Instead, we have used our technology to keep entire living and working complexes at a uniformly comfortable temperature. As a result, our spatial habits have become diffused, and activities that were once localized by thermal conditions have spread out over a whole house or building. We forget, unless a system breaks down, that such wide-ranging use of space is extremely dependent upon the available heating and cooling equipment.

    Lisa Heschong, Thermal Delight in Architecture
    1. ​​Controlled environments​​
    • space
    • behavior
  • (an architectural stem cell that might transform itself into any organ for living)

    Michael Sorkin, 20 Minutes in Manhattan
    • euphony
    • body
    • architecture
    • space

    Referring to the archetypal loft-style apartments of SoHo.

  • Topology by other means

    The burglar is a three-dimensional actor amid the two-dimensional surfaces and objects of the city. This means operating with a fundamentally different spatial sense of how architecture should work, and how one room could be connected to another. It means seeing how a building can be stented: engineering short-circuits where mere civilians, altogether less aggressive users of the city, would never expect to find them. Burglary is topology pursued by other means: a new science of the city, proceeding by way of shortcuts, splices, and wormholes.

    Geoff Manaugh, A Burglar's Guide to the City
    • space
    • topology
  • The negative spaces

    Focus on the negative spaces surrounding the object to give yourself a fresh perspective on the form.

    Jenny Keller, Why Sketch?
    • space
  • The weather in the space

    The architect's special preoccupation is first to decide what kinds of spaces shall be enclosed.

    All manner of different considerations will influence an architect's decisions about the shape of the spaces they are to enclose, but the chief of them will always be the probable activities of the people who will enjoy the weather in the space.

    David Pye, The Nature and Aesthetics of Design
    • architecture
    • space

    Not with what structures should be built, but which spaces should be enclosed. This is also the preoccupation of urban planners, and maybe all design professions are ultimately about the shape of space rather than the shaping of matter.

  • Room continuum

    The Modernist aspiration for continuous, flowing space and open interconnections between spaces has a tendency to reduce the sense of room-ness by turning space into a continuum, creating a flow through units instead of projecting a spatial object.

    Robert McCarter & Juhani Pallasmaa, Understanding Architecture
    • space
  • Overlays

    The awkwardness of the room itself forced Irwin toward the next phase of his endeavor: each installation from there on would have to arise out of the unique configurations of each new site. As Irwin put it, "Instead of my overlaying my ideas onto that space, that space overlaid itself on me."

    Lawrence Wechler & Robert Irwin, Seeing Is Forgetting the Name of the Thing One Sees
    • context
    • space
  • Spatial Web Browsing

    An Article by Maggie Appleton
    maggieappleton.com
    Screenshot of maggieappleton.com on 2022-01-20 at 8.54.10 AM.png

    There are some new apps appearing that offer alternative ways of browsing the web...This canvas-based approach adds spatial dimension to the web browsing experience; they allow us to arrange browser windows above, below, to the left, and right of other browser windows.

    The same way we're able to put an open book next to a piece of paper and below a row of sticky notes in meatspace. Arranging objects in space to create groupings, indicate relationships, and build hierarchies is one of those classical human skills that never goes out of style.

    1. ​​Spatial Interfaces​​
    2. ​​Spatial Software​​
    • space
    • www
    • interfaces
  • The Method of Loci

    An Article
    fs.blog

    From the time we learn to walk, we start building up spatial memories—recollections of the layouts of physical spaces and their relationships to the objects in them. These memories tend to form fast and stick around for a long time.

    The method of loci hijacks our innate aptitude for remembering physical spaces, using it to help us remember other kinds of information with greater ease.

    1. ​​On Memory Palaces & Visual Computation​​
    • memory
    • space
    • place
  • Nototo

    An Application
    www.nototo.app
    Image from www.nototo.app on 2020-08-09 at 7.42.21 AM.png

    The visual workspace for notes. Humans have incredible visual-spatial memory. Leverage that with Nototo.

    1. ​​Spatial software references​​
    2. ​​Spatial Interfaces​​
    • notetaking
    • memory
    • space
    • vision
  • Makespace.fun

    An Application
    makespace.fun

    In today’s software, live video feeds are stuck inside static rectangles that can’t go anywhere. MakeSpace flips all that on its head. Your cursor is your live face, and you can roam free, controlling who and what you want to be close to.

    1. ​​Spatial Interfaces​​
    • details
    • ux
    • communication
    • sound
    • space

    "If a tree falls in MakeSpace, you'll hear it… and know where it fell. That's because sound is spatial here — you can hear where voices and sounds are coming from. And if you need a quiet moment, simply step away."

    Pssssst: Use Caps Lock to broadcast your voice at full volume across the entire Space. For moments when you need everyone's attention.


See also:
  1. architecture
  2. memory
  3. light
  4. context
  5. notetaking
  6. vision
  7. details
  8. ux
  9. communication
  10. sound
  11. topology
  12. euphony
  13. body
  14. absurdity
  15. behavior
  16. identity
  17. place
  18. art
  19. design
  20. www
  21. interfaces
  22. walls
  1. Robert Irwin
  2. David Pye
  3. Jenny Keller
  4. Robert McCarter
  5. Juhani Pallasmaa
  6. Lawrence Wechler
  7. Geoff Manaugh
  8. Michael Sorkin
  9. Christopher Alexander
  10. Murray Silverstein
  11. Sara Ishikawa
  12. Christian Morgenstern
  13. Lisa Heschong
  14. Gaston Bachelard
  15. John Pawson
  16. Edward Tufte
  17. Matthew Simms
  18. Frank Lloyd Wright
  19. Maggie Appleton
  20. Michael Auping