1. ⁘  ⁘  ⁘
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  3. Abo, Akinori 9
  4. aesthetics 19
  5. agile 30
  6. Albers, Josef 17
  7. Alexander, Christopher 135
  8. Alexander, Scott 5
  9. Allsopp, John 4
  10. Ammer, Ralph 6
  11. Anderson, Gretchen 7
  12. anxiety 9
  13. Appleton, Maggie 5
  14. Aptekar-Cassels, Wesley 5
  15. Arango, Jorge 4
  16. architecture 110
  17. art 86
  18. Asimov, Isaac 5
  19. attention 17
  20. Auping, Michael 6
  21. Aurelius, Marcus 14
  22. Bachelard, Gaston 12
  23. Baker, Nicholson 10
  24. beauty 59
  25. Behrensmeyer, Anna K. 7
  26. Bjarnason, Baldur 8
  27. Blake, William 5
  28. blogging 23
  29. body 11
  30. Boeing, Geoff 7
  31. books 6
  32. boredom 9
  33. Botton, Alain de 38
  34. Brand, Stewart 4
  35. Bringhurst, Robert 16
  36. Brooks, Frederick P. 22
  37. Broskoski, Charles 6
  38. brutalism 7
  39. building 16
  40. bureaucracy 12
  41. Burnham, Bo 9
  42. business 15
  43. Byron, Lord 14
  44. Cagan, Marty 8
  45. Calvino, Italo 21
  46. Camus, Albert 13
  47. Carruth, Shane 15
  48. Cegłowski, Maciej 6
  49. Cervantes, Miguel de 7
  50. chance 11
  51. change 17
  52. Chiang, Ted 4
  53. childhood 6
  54. Chimero, Frank 17
  55. choice 8
  56. cities 51
  57. Cleary, Thomas 8
  58. Cleary, J.C. 8
  59. code 20
  60. Coelho, Paulo 31
  61. collaboration 18
  62. collections 31
  63. color 23
  64. commonplace 11
  65. communication 31
  66. community 7
  67. complexity 11
  68. connection 24
  69. constraints 25
  70. construction 9
  71. content 9
  72. Corbusier, Le 13
  73. Coyier, Chris 4
  74. craft 67
  75. creativity 59
  76. crime 9
  77. Critchlow, Tom 5
  78. critique 10
  79. Cross, Nigel 12
  80. Cross, Anita Clayburn 10
  81. css 11
  82. culture 13
  83. curiosity 11
  84. cycles 7
  85. Danielewski, Mark Z. 4
  86. darkness 28
  87. Darwin, Will 10
  88. data 8
  89. death 38
  90. Debord, Guy 6
  91. decisions 10
  92. design 132
  93. desire 6
  94. destiny 6
  95. details 31
  96. Dickinson, Emily 9
  97. Dieste, Eladio 4
  98. discovery 9
  99. doors 7
  100. Dorn, Brandon 11
  101. drawing 23
  102. dreams 8
  103. Drucker, Peter F. 15
  104. Duany, Andres 18
  105. Eatock, Daniel 4
  106. economics 13
  107. efficiency 7
  108. Eisenman, Peter 8
  109. Eliot, T.S. 14
  110. emotion 8
  111. ending 14
  112. engineering 12
  113. Eno, Brian 4
  114. ethics 14
  115. euphony 38
  116. Evans, Benedict 4
  117. evolution 9
  118. experience 14
  119. exploration 6
  120. farming 8
  121. fashion 11
  122. fear 7
  123. features 25
  124. flaws 10
  125. Flexner, Abraham 8
  126. food 16
  127. form 19
  128. Fowler, Martin 4
  129. Franklin, Ursula M. 30
  130. fun 7
  131. function 31
  132. games 13
  133. gardens 26
  134. Garfield, Emily 4
  135. Garfunkel, Art 6
  136. geography 8
  137. geometry 18
  138. goals 9
  139. Gombrich, E. H. 4
  140. goodness 13
  141. Graham, Paul 37
  142. graphics 13
  143. Greene, Erick 6
  144. Hamming, Richard 45
  145. happiness 18
  146. Harford, Tim 4
  147. Harper, Thomas J. 15
  148. Hayes, Brian 28
  149. heat 7
  150. Heinrich, Bernd 7
  151. Herbert, Frank 4
  152. Heschong, Lisa 27
  153. Hesse, Herman 6
  154. history 14
  155. Hoffman, Yoel 10
  156. Hofstadter, Douglas 6
  157. home 15
  158. Hoy, Amy 4
  159. Hoyt, Ben 5
  160. html 11
  161. Hudlow, Gandalf 4
  162. humanity 16
  163. Huxley, Aldous 7
  164. hypermedia 22
  165. i 18
  166. ideas 21
  167. identity 33
  168. images 10
  169. industry 9
  170. information 42
  171. infrastructure 17
  172. innovation 15
  173. interaction 10
  174. interest 10
  175. interfaces 37
  176. intuition 9
  177. invention 10
  178. Irwin, Robert 65
  179. Isaacson, Walter 28
  180. Ishikawa, Sara 33
  181. iteration 13
  182. Ive, Jonathan 6
  183. Jackson, Steven J. 14
  184. Jacobs, Jane 54
  185. Jacobs, Alan 5
  186. Jobs, Steve 20
  187. Jones, Nick 5
  188. Kahn, Louis 4
  189. Kakuzō, Okakura 23
  190. Kaufman, Kenn 4
  191. Keith, Jeremy 6
  192. Keller, Jenny 10
  193. Keqin, Yuanwu 8
  194. Ketheswaran, Pirijan 6
  195. Kingdon, Jonathan 5
  196. Kitching, Roger 7
  197. Klein, Laura 4
  198. Kleon, Austin 13
  199. Klinkenborg, Verlyn 24
  200. Klyn, Dan 20
  201. knowledge 29
  202. Kohlstedt, Kurt 12
  203. Kramer, Karen L. 10
  204. Krishna, Golden 10
  205. Kuma, Kengo 18
  206. language 21
  207. learning 31
  208. life 60
  209. light 32
  210. loneliness 12
  211. love 29
  212. Lovell, Sophie 16
  213. Lupton, Ellen 11
  214. Luu, Dan 8
  215. Lynch, Kevin 12
  216. MacIver, David R. 8
  217. MacWright, Tom 5
  218. Magnus, Margaret 12
  219. making 77
  220. management 14
  221. Manaugh, Geoff 27
  222. Markson, David 16
  223. Mars, Roman 13
  224. material 39
  225. math 16
  226. McCarter, Robert 21
  227. meaning 33
  228. media 16
  229. melancholy 53
  230. memory 29
  231. metaphor 10
  232. metrics 19
  233. microsites 49
  234. Miller, J. Abbott 10
  235. Mills, C. Wright 9
  236. minimalism 10
  237. Miyazaki, Hayao 30
  238. Mod, Craig 15
  239. modularity 6
  240. Mollison, Bill 31
  241. morality 8
  242. Murakami, Haruki 21
  243. music 16
  244. Müller, Boris 7
  245. Naka, Toshiharu 8
  246. names 11
  247. Naskrecki, Piotr 5
  248. nature 51
  249. networks 15
  250. Neustadter, Scott 3
  251. Noessel, Christopher 7
  252. notetaking 35
  253. novelty 11
  254. objects 16
  255. order 10
  256. ornament 9
  257. Orwell, George 7
  258. Ott, Matthias 4
  259. ownership 7
  260. Pallasmaa, Juhani 41
  261. Palmer, John 8
  262. patterns 11
  263. Patton, James L. 9
  264. Pawson, John 21
  265. perception 22
  266. perfection 7
  267. performance 17
  268. Perrine, John D. 9
  269. Petroski, Henry 24
  270. photography 20
  271. Pinker, Steven 8
  272. place 14
  273. planning 15
  274. Plater-Zyberk, Elizabeth 18
  275. poetry 13
  276. politics 9
  277. Pollan, Michael 6
  278. practice 10
  279. problems 31
  280. process 22
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  286. Pye, David 42
  287. quality 26
  288. questions 8
  289. Radić, Smiljan 20
  290. Rams, Dieter 16
  291. Rao, Venkatesh 14
  292. reading 17
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  295. religion 12
  296. Rendle, Robin 12
  297. repair 28
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  299. Reveal, James L. 4
  300. Richards, Melanie 3
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  314. senses 11
  315. Seuss, Dr. 14
  316. Shakespeare, William 4
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  318. silence 9
  319. Silverstein, Murray 33
  320. Simms, Matthew 19
  321. Simon, Paul 6
  322. simplicity 14
  323. Singer, Ryan 12
  324. skill 17
  325. Sloan, Robin 5
  326. Smith, Cyril Stanley 29
  327. Smith, Justin E. H. 6
  328. Smith, Rach 4
  329. socializing 7
  330. society 23
  331. software 69
  332. solitude 12
  333. Somers, James 8
  334. Sorkin, Michael 56
  335. sound 14
  336. space 20
  337. Speck, Jeff 18
  338. spirit 10
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  340. structure 13
  341. Strunk, William 15
  342. Ström, Matthew 13
  343. style 30
  344. Sun, Chuánqí 15
  345. symbols 12
  346. systems 18
  347. Sōetsu, Yanagi 34
  348. Sōseki, Natsume 8
  349. Tanaka, Tomoyuki 9
  350. Tanizaki, Jun'ichirō 15
  351. taste 10
  352. Taylor, Dorian 16
  353. teaching 21
  354. teamwork 17
  355. technology 41
  356. texture 7
  357. thinking 31
  358. Thoreau, Henry David 8
  359. time 55
  360. Tolkien, J.R.R. 6
  361. tools 32
  362. touch 8
  363. transportation 16
  364. Trombley, Nick 45
  365. truth 15
  366. Tufte, Edward 31
  367. Turrell, James 6
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  372. Victor, Bret 9
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Form

Close
  • Nothing that nature does not seek

    Nature tells us the shape and pattern a material should assume, and nothing good can be achieved by ignoring its dictates. A good artisan seeks nothing that nature does not seek.

    Yanagi Sōetsu, The Beauty of Miscellaneous Things
    • nature
    • form
  • It's cold outside, but this room is quite cozy

    Screen Shot 2020-10-09 at 9_18_06 PM.png

    Did you know that Junkers makes these radiators too? Funny, they look just like his planes. Such strong parallel lines.

    Hayao Miyazaki, The Wind Rises
    1. ​​We need an object for our affections​​
    • heat
    • form
  • Time turned into shape

    A pebble polished by waves is pleasurable to the hand, not only because of its soothing shape, but because it expresses the slow process of its formation; a perfect pebble on the palm materializes duration, it is time turned into shape.

    Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses
    • time
    • touch
    • form
  • The element becomes a sign

    Each unit can be seen purely as form, as what it is. Or it can be viewed as having a function. Its function is only understandable within the next higher level of organization. And in every case, function must succumb to the constraints of form. Once this worldly function is assigned, the element becomes a ‘sign’. It falls into the realm of concept. There is a mapping from one thought system to another.

    Margaret Magnus, Gods of the Word
    1. ​​Form follows function​​
    • form
    • function
  • The principle of parallel construction

    This principle, that of parallel construction, requires that expressions similar in content and function be outwardly similar.

    Blessed are the poor in spirit; for theirs in the kingdom of Heaven.
    Blessed are they that mourn; for they shall be comforted.
    Blessed are the meek; for they shall inherit the earth.

    William Strunk Jr. & E.B. White, The Elements of Style
    1. ​​Structural parallelism​​
    • form
  • The senses of form and tone

    Man painted and danced long before he learned to write and construct. The senses of form and tone are his primordial heritage.

    Sibyl Moholy-Nagy, Pedagogical Sketchbook
    • art
    • form
    • dance
  • Form and figure

    Form applies to “a configuration with natural meaning or none at all,” whereas figure applies to “a configuration whose meaning is given by culture."

    Peter G. Rowe, Design Thinking
    • form
  • Apparency

    Half a century ago, Stern discussed this attribute of an artistic object and called it apparency. While art is not limited to this single end, he felt that one of its two basic functions was "to create images which by clarity and harmony of form fulfill the need for vividly comprehensible appearance." In his mind, this was an essential first step toward the expression of inner meaning.

    Kevin Lynch, The Image of the City
    • art
    • meaning
    • images
    • harmony
    • form
  • A certain plasticity

    There are dangers in a highly specialized visible form; there is a need for a certain plasticity in the perceptual environment. If there is only one dominant path to a destination, a few sacred focal points, or an ironclad set of rigidly separated regions, then there is only one way to image the city without considerable strain. This one may suit neither the needs of all people, nor even the needs of one person as they vary from time to time. An unusual trip becomes awkward or dangerous; interpersonal relations may tend to compartmentalize themselves; the scene becomes monotonous or restrictive.

    Kevin Lynch, The Image of the City
    • cities
    • form
  • Strength from both mass and form

    IMG_3413.jpeg

    Hoover Dam has the shape of an arch dam, but it is actually a hybrid structure, gathering strength from both mass and form. The dam is often ranked as one of the most exquisite of all engineered structures. It is fitted to its site so well that the gnarly canyon wall looks like an organic growth engulfing the mass of concrete.

    Brian Hayes, Infrastructure: A Guide to the Industrial Landscape
    1. ​​Deep Interlock​​
    2. ​​The Nature of Order​​
    • engineering
    • architecture
    • form
  • Notes on the Synthesis of Form

    A Book by Christopher Alexander
    www.hup.harvard.edu
    1. ​​I could do better than that​​
    2. ​​This small internal quaver​​
    3. ​​Their wrongness is somehow more immediate​​
    • math
    • design
    • architecture
    • form
    • problems
  • The Evolution of Useful Things

    A Book by Henry Petroski

    Here, then, is the central idea: the form of made things is always subject to change in response to their real or perceived shortcomings, their failures to function properly. This principle governs all invention, innovation, ingenuity.

    1. ​​Spike and spon​​
    2. ​​Shaped and reshaped​​
    3. ​​Form follows failure​​
    4. ​​Their wrongness is somehow more immediate​​
    5. ​​A small corner of the world of things​​
    1. ​​The evolution of devices​​
    • form
    • function
    • invention
    • progress
    • failure
  • Inheriting Froebel's Gifts

    A Podcast by Kurt Kohlstedt
    99percentinvisible.org
    Image from 99percentinvisible.org on 2022-05-24 at 4.32.53 PM.jpeg

    Froebel’s Gifts were meant to be given in a particular order, growing more complex over time and teaching different lessons about shape, structure and perception along the way. A soft knitted ball could be given to a child just six weeks old, followed by a wooden ball and then a cube, illustrating similarities and differences in shapes and materials. Then kids would get a cylinder (which combines elements of both the ball and the cube) and it would blow their little minds. Some objects were pierced by strings or rods so kids could spin them and see how one shapes morphs into another when set into motion. Later came cubes made up of smaller cubes and other hybrids, showing children how parts relate to a whole through deconstruction and reassembly.

    These perception-oriented “Gifts” would then give way to construction-oriented “Occupations.” Kids would be told to build things out of materials like paper, string, wire, or little sticks and peas that could be connected and stacked into structures.

    1. ​​Gifts and occupations​​
    • learning
    • childhood
    • objects
    • creativity
    • form
  • Form follows function

    A Quote by Louis Sullivan
    en.wikipedia.org
    1. ​​205. Structure Follows Social Spaces​​
    2. ​​Classical absurdity​​
    3. ​​The element becomes a sign​​
    4. ​​The requirements of economy​​
    5. ​​Against form follows function​​
    6. ​​The minimum condition​​
    7. ​​Form follows failure​​
    8. ​​The usages of life​​
    • form
    • function
    • design
    • architecture
  • Against form follows function

    An Essay by Andrea Resmini
    andrearesmini.com

    I cannot get past the fact that any *designer* who throws that phrase around matter-of-factly, as in “of course form follows function”, comes out as a complete ignoramus. An ignoramus who's not just repeating an 1896 “law” without any clues as to what it means but who also, most poignantly, demonstrates to possess no knowledge of what has happened in design and architecture since Sullivan and Adler contributed to inventing the high rise building and, by extension, much of the world we live in.

    1. ​​Useless work on useful things​​
    2. ​​Form follows function​​
    3. ​​Form follows failure​​
    • form
    • function
    • architecture
  • On 'The Master and His Emissary'

    A Quote by Ian McGilchrist
    www.ttbook.org

    People who make works of art, whatever they might be, have gone to great trouble to make something unique which is embodied in the form that it is, and not in any other form, and that it transmits things that remain implicit

    ...Works of art are not just disembodied, entirely abstract, conceptual things. They are embodied in the words they’re in or in paint or in stone or in musical notes or whatever it might be.

    1. ​​The work is what it means​​
    2. ​​The meaning of music​​
    3. ​​If a book can be summarized, is it worth reading?​​
    • art
    • material
    • meaning
    • form
  • How am I doing, wonder?

    A Quote by Louis Kahn
    understandinggroup.com

    Form comes from wonder. Wonder stems from our 'in touchness' with how we were made. One senses that nature records the process of what it makes, so that in what it makes there is also the records of how it was made. In touch with this record we are in wonder. This wonder gives rise to knowledge. But knowledge is related to other knowledge and this relation gives a sense of order, a sense of how they inter-relate in a harmony that makes all things exist. From knowledge to sense of order we then wink at wonder and say How am I doing, wonder?

    1. ​​Ruins, Rub-outs, and Trash​​
    • form
    • curiosity
    • knowledge
    • order
    • understanding
    • making
  • Material tour de force: The work of Eladio Dieste

    An Essay by Eladio Dieste
    archleague.org
    Image from archleague.org on 2020-12-24 at 1.20.49 PM.jpeg

    I have explained, and supported with evidence, the concern for rationality in construction and economy understood in, I dared to say, a cosmic sense rather than a financial sense. However, this is not the whole thing that has guided me. I have also been guided by a sharp, almost painful, awareness of form.

    • form
    • material
  • The resistant virtues of the structure

    A Quote by Eladio Dieste
    en.wikipedia.org

    The resistant virtues of the structure that we make depend on their form; it is through their form that they are stable and not because of an awkward accumulation of materials. There is nothing more noble and elegant from an intellectual viewpoint than this; resistance through form.

    • form
    • structure

See also:
  1. function
  2. architecture
  3. art
  4. meaning
  5. design
  6. material
  7. images
  8. harmony
  9. cities
  10. engineering
  11. math
  12. problems
  13. dance
  14. time
  15. touch
  16. heat
  17. structure
  18. nature
  19. curiosity
  20. knowledge
  21. order
  22. understanding
  23. making
  24. invention
  25. progress
  26. failure
  27. learning
  28. childhood
  29. objects
  30. creativity
  1. Kevin Lynch
  2. Eladio Dieste
  3. Margaret Magnus
  4. Brian Hayes
  5. Christopher Alexander
  6. Peter G. Rowe
  7. Sibyl Moholy-Nagy
  8. Louis Sullivan
  9. William Strunk Jr.
  10. E.B. White
  11. Juhani Pallasmaa
  12. Hayao Miyazaki
  13. Yanagi Sōetsu
  14. Louis Kahn
  15. Andrea Resmini
  16. Ian McGilchrist
  17. Henry Petroski
  18. Kurt Kohlstedt