1. ⁘  ⁘  ⁘
  2. ⁘  ⁘  ⁘
  3. Abo, Akinori 9
  4. aesthetics 19
  5. agile 30
  6. Albers, Josef 17
  7. Alexander, Christopher 135
  8. Alexander, Scott 5
  9. Allsopp, John 4
  10. Ammer, Ralph 6
  11. Anderson, Gretchen 7
  12. anxiety 9
  13. Appleton, Maggie 5
  14. Aptekar-Cassels, Wesley 5
  15. Arango, Jorge 4
  16. architecture 110
  17. art 86
  18. Asimov, Isaac 5
  19. attention 17
  20. Auping, Michael 6
  21. Aurelius, Marcus 14
  22. Bachelard, Gaston 12
  23. Baker, Nicholson 10
  24. beauty 58
  25. Behrensmeyer, Anna K. 7
  26. Bell, Larry 3
  27. Bjarnason, Baldur 5
  28. Blake, William 5
  29. blogging 21
  30. body 11
  31. Boeing, Geoff 7
  32. boredom 9
  33. Botton, Alain de 38
  34. Brand, Stewart 4
  35. Bringhurst, Robert 16
  36. Brooks, Frederick P. 22
  37. Broskoski, Charles 6
  38. brutalism 7
  39. building 16
  40. bureaucracy 12
  41. Burnham, Bo 9
  42. business 15
  43. Byron, Lord 14
  44. Cagan, Marty 6
  45. Calvino, Italo 21
  46. Camus, Albert 13
  47. care 6
  48. Carruth, Shane 15
  49. Cegłowski, Maciej 6
  50. Cervantes, Miguel de 7
  51. chance 11
  52. change 16
  53. Chiang, Ted 4
  54. Chimero, Frank 17
  55. choice 8
  56. cities 51
  57. Clark, Robin 3
  58. Cleary, Thomas 8
  59. Cleary, J.C. 8
  60. code 20
  61. collaboration 16
  62. collections 31
  63. Collison, Simon 3
  64. color 23
  65. commonplace 10
  66. communication 31
  67. community 7
  68. complexity 11
  69. connection 24
  70. constraints 25
  71. construction 9
  72. content 9
  73. Corbusier, Le 13
  74. Coyier, Chris 4
  75. craft 65
  76. creativity 58
  77. crime 9
  78. Critchlow, Tom 5
  79. critique 10
  80. Cross, Nigel 12
  81. Cross, Anita Clayburn 10
  82. css 11
  83. culture 13
  84. curiosity 11
  85. cycles 7
  86. Danielewski, Mark Z. 4
  87. darkness 28
  88. Darwin, Will 10
  89. data 8
  90. death 38
  91. Debord, Guy 6
  92. decisions 9
  93. design 131
  94. details 30
  95. Dickinson, Emily 9
  96. Dieste, Eladio 4
  97. discovery 9
  98. doors 7
  99. Dorn, Brandon 11
  100. drawing 23
  101. Drucker, Peter F. 15
  102. Duany, Andres 18
  103. Eatock, Daniel 4
  104. economics 13
  105. efficiency 7
  106. Eisenman, Peter 8
  107. Eliot, T.S. 14
  108. emotion 8
  109. ending 14
  110. engineering 11
  111. Eno, Brian 4
  112. ethics 14
  113. euphony 38
  114. Evans, Benedict 4
  115. evolution 9
  116. experience 14
  117. farming 8
  118. fashion 11
  119. features 25
  120. feedback 6
  121. flaws 10
  122. Flexner, Abraham 8
  123. food 16
  124. form 18
  125. Fowler, Martin 4
  126. Franklin, Ursula M. 30
  127. friendship 6
  128. fun 7
  129. function 31
  130. games 13
  131. gardens 26
  132. Garfield, Emily 4
  133. Garfunkel, Art 6
  134. geography 8
  135. geometry 18
  136. goals 9
  137. Gombrich, E. H. 4
  138. goodness 12
  139. Graham, Paul 37
  140. graphics 13
  141. Greene, Erick 6
  142. Hamming, Richard 45
  143. happiness 17
  144. Harford, Tim 4
  145. Harper, Thomas J. 15
  146. Hayes, Brian 28
  147. heat 7
  148. Heinrich, Bernd 7
  149. Herbert, Frank 4
  150. Heschong, Lisa 27
  151. Hesse, Herman 6
  152. history 13
  153. Hoffman, Yoel 10
  154. Hofstadter, Douglas 6
  155. home 15
  156. Hoy, Amy 4
  157. Hoyt, Ben 5
  158. html 11
  159. Hudlow, Gandalf 4
  160. humanity 16
  161. humor 6
  162. Huxley, Aldous 7
  163. hypermedia 22
  164. i 18
  165. ideas 19
  166. identity 33
  167. images 10
  168. industry 9
  169. information 42
  170. infrastructure 17
  171. innovation 14
  172. interaction 10
  173. interest 10
  174. interfaces 36
  175. intuition 8
  176. invention 10
  177. Irwin, Robert 65
  178. Isaacson, Walter 28
  179. Ishikawa, Sara 33
  180. iteration 13
  181. Ive, Jonathan 6
  182. Jackson, Steven J. 14
  183. Jacobs, Jane 54
  184. Jacobs, Alan 5
  185. Jobs, Steve 20
  186. Jones, Nick 5
  187. Kahn, Louis 4
  188. Kakuzō, Okakura 23
  189. Kaufman, Kenn 4
  190. Keith, Jeremy 6
  191. Keller, Jenny 10
  192. Kelly, Kevin 3
  193. Keqin, Yuanwu 8
  194. Ketheswaran, Pirijan 6
  195. Kingdon, Jonathan 5
  196. Kitching, Roger 7
  197. Klein, Laura 4
  198. Kleon, Austin 13
  199. Klinkenborg, Verlyn 24
  200. Klyn, Dan 20
  201. knowledge 28
  202. Kohlstedt, Kurt 11
  203. Kramer, Karen L. 10
  204. Krishna, Golden 10
  205. Kuma, Kengo 18
  206. language 20
  207. learning 29
  208. life 59
  209. light 31
  210. loneliness 12
  211. love 25
  212. Lovell, Sophie 16
  213. Lupton, Ellen 11
  214. Luu, Dan 8
  215. Lynch, Kevin 12
  216. MacIver, David R. 8
  217. MacWright, Tom 5
  218. Magnus, Margaret 12
  219. making 77
  220. management 14
  221. Manaugh, Geoff 27
  222. Markson, David 16
  223. Mars, Roman 13
  224. material 39
  225. math 16
  226. McCarter, Robert 21
  227. meaning 33
  228. media 16
  229. melancholy 51
  230. memory 28
  231. metaphor 10
  232. metrics 19
  233. microsites 49
  234. Miller, J. Abbott 10
  235. Mills, C. Wright 9
  236. minimalism 10
  237. Miyazaki, Hayao 30
  238. Mod, Craig 15
  239. modularity 6
  240. Mollison, Bill 31
  241. morality 8
  242. Murakami, Haruki 21
  243. music 16
  244. Müller, Boris 7
  245. Naka, Toshiharu 8
  246. names 11
  247. Naskrecki, Piotr 5
  248. nature 51
  249. networks 15
  250. Noessel, Christopher 7
  251. notetaking 34
  252. novelty 10
  253. objects 15
  254. order 10
  255. ornament 9
  256. Orwell, George 7
  257. Ott, Matthias 4
  258. ownership 6
  259. Pallasmaa, Juhani 41
  260. Palmer, John 8
  261. patterns 11
  262. Patton, James L. 9
  263. Pawson, John 21
  264. perception 22
  265. perfection 7
  266. performance 17
  267. Perrine, John D. 9
  268. Petroski, Henry 24
  269. philosophy 6
  270. photography 20
  271. physics 6
  272. Pinker, Steven 8
  273. place 14
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  275. Plater-Zyberk, Elizabeth 18
  276. poetry 13
  277. politics 9
  278. Pollan, Michael 6
  279. practice 10
  280. problems 31
  281. process 22
  282. production 7
  283. productivity 12
  284. products 20
  285. programming 9
  286. progress 16
  287. Pye, David 42
  288. quality 25
  289. questions 8
  290. Radić, Smiljan 20
  291. Rams, Dieter 16
  292. Rao, Venkatesh 14
  293. reading 16
  294. reality 13
  295. Reichenstein, Oliver 5
  296. religion 11
  297. Rendle, Robin 12
  298. repair 28
  299. research 17
  300. Reveal, James L. 4
  301. Richards, Melanie 3
  302. Richie, Donald 10
  303. Rougeux, Nicholas 4
  304. Rowe, Peter G. 10
  305. Rupert, Dave 4
  306. Ruskin, John 5
  307. Satyal, Parimal 9
  308. Saval, Nikil 13
  309. Sayers, Dorothy 32
  310. Schaller, George B. 7
  311. Schwulst, Laurel 5
  312. science 17
  313. seeing 36
  314. Sennett, Richard 45
  315. senses 11
  316. Seuss, Dr. 14
  317. Shakespeare, William 4
  318. Shorin, Toby 8
  319. silence 9
  320. Silverstein, Murray 33
  321. Simms, Matthew 19
  322. Simon, Paul 6
  323. simplicity 14
  324. Singer, Ryan 12
  325. skill 17
  326. Sloan, Robin 5
  327. Smith, Cyril Stanley 29
  328. Smith, Justin E. H. 6
  329. Smith, Rach 4
  330. socializing 7
  331. society 23
  332. software 66
  333. solitude 12
  334. Somers, James 8
  335. Sorkin, Michael 56
  336. sound 14
  337. space 20
  338. Speck, Jeff 18
  339. speech 6
  340. spirit 10
  341. streets 10
  342. structure 13
  343. Strunk, William 15
  344. Ström, Matthew 13
  345. style 30
  346. Sun, Chuánqí 15
  347. symbols 12
  348. systems 18
  349. Sōetsu, Yanagi 34
  350. Sōseki, Natsume 8
  351. Tanaka, Tomoyuki 9
  352. Tanizaki, Jun'ichirō 15
  353. taste 10
  354. Taylor, Dorian 16
  355. teaching 21
  356. teamwork 16
  357. technology 41
  358. texture 7
  359. thinking 30
  360. Thoreau, Henry David 8
  361. time 54
  362. Tolkien, J.R.R. 6
  363. tools 32
  364. touch 8
  365. transportation 16
  366. Trombley, Nick 44
  367. truth 15
  368. Tufte, Edward 31
  369. Turrell, James 6
  370. typography 25
  371. understanding 32
  372. urbanism 68
  373. ux 100
  374. Victor, Bret 9
  375. Viollet-le-Duc, Eugène 4
  376. vision 7
  377. visualization 34
  378. Voltaire 4
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  381. Wallace, David Foster 33
  382. Wang, Shawn 6
  383. war 7
  384. waste 12
  385. Watterson, Bill 4
  386. Webb, Matt 14
  387. Wechler, Lawrence 37
  388. whimsy 11
  389. White, E.B. 15
  390. Wirth, Niklaus 6
  391. wisdom 20
  392. Wittgenstein, Ludwig 7
  393. Woolf, Virginia 11
  394. words 35
  395. work 80
  396. writing 55
  397. Wurman, Richard Saul 18
  398. www 88
  399. Yamada, Kōun 5
  400. Yamashita, Yuhki 4
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Identity & Self

Close
  • One Of Us

    That’s the primary difference between an axiom like “Curiosity Killed The Cat” and an axiom like “You Are Not Your User. ” The former rings true in common experience. It’s test-able, like striking a tuning fork or dangling a bit of yarn in front of a kitten. The latter is just some stuff that somebody said.

    Sometimes, axiomatic sayings like “You Are Not Your User” no longer have a who that’s saying them. They cease being an actual instruction, and instead serve as a kind of identity, to identify the person who’s repeating the axiom as One Of Us.

    The technical term for when an axiom devolves into an ID card is shibboleth: a custom, principle, or belief distinguishing a particular class or group of people, especially a long-standing one regarded as outmoded or no longer important.

    Dan Klyn, Sermon for WIAD Bristol 2021
    understandinggroup.com
    1. ​​The Nature of Product​​
    • identity

    "UI is not UX!"

  • The gutting of our human subjecthood

    Someone who thinks about their place in the world in terms of the structural violence inflicted on them as they move through it is thinking of themselves, among other things, in structural terms, which is to say, again among other things, not as subjects. This gutting of our human subjecthood is currently being stoked and exacerbated, and integrated into a causal loop with, the financial incentives of the tech companies. People are now speaking in a way that results directly from the recent moneyballing of all of human existence.

    Justin E. H. Smith, It's All Over
    • humanity
    • identity
  • Focal awareness

    The philosopher Maurice Merleau-Ponty describes what she experienced as "being as a thing." The philosopher Michael Polanyi calls it "focal awareness" and recurs to the act of hammering a nail:

    When we bring down the hammer we do not feel that its handle has struck our palm but that its head has struck the nail.

    We have become the things on which we are working.

    Richard Sennett, The Craftsman
    1. ​​The inventive process was often a nonverbal one​​
    2. ​​He feels the end of the cane​​
    • identity
  • The principle of arrangement

    It is really rather remarkable that, while anyone can tell whether a thing is a pocket-knife because, presumably, anyone can recognize the principle of arrangement which constitutes the similarity between all pocket knives, no one can visually abstract that arrangement. We recognize it when we 'see' it embodies, we can describe it disembodies, but we cannot visualize it disembodied.

    David Pye, The Nature and Aesthetics of Design
    • identity

    The best we can do is draw prototypical examples, we cannot picture the platonic ideal—if we did, it would be just another embodies example. Maybe this is just a truth by definition.

  • Nodal points

    I started thinking about all the other important “nodal points” (I don’t know what else to call this) of people, places, books, albums, websites, etc. that all played a part in shaping who I am as a person and what I think is important. These points are a combination of seeking things out myself and getting a recommendation that felt like it was actually for me. A mixture of both passive and active knowledge acquisition.

    ultimately, it's the totality of those “nodal points” that indicate one’s own unique perspective. It doesn’t matter if you specifically sought out the nodal point or not, it’s the recognition that counts. When you encounter a piece of life-changing information (no matter how large the change part is), you are simultaneously discovering and creating “yourself,” becoming incrementally more complete. Your perspective (where your gaze is directed) is made up of a meandering line through these points. Learning (or maybe some precursor to learning) is a lot about developing the intuition to recognize when something you find in the world is going to be a nodal point for you.

    Charles Broskoski, On Motivation
    1. ​​barnsworthburning.net​​
    • identity
    • networks
    • information
    • i
  • Only so much of the mind

    Though the autobiography “is” the author in a sense in which his other works are not, it can never be the whole of the author. It is still a formal expression and bound by the limitations of all material form, so that though it is a true revelation it is only a partial revelation: it incorporates only so much of the mind as matter is capable of containing.

    Dorothy Sayers, The Mind of the Maker
    • identity
  • Author and architect

    My favorite aspect of websites is their duality: they’re both subject and object at once. In other words, a website creator becomes both author and architect simultaneously. There are endless possibilities as to what a website could be. What kind of room is a website? Or is a website more like a house? A boat? A cloud? A garden? A puddle? Whatever it is, there’s potential for a self-reflexive feedback loop: when you put energy into a website, in turn the website helps form your own identity.

    Laurel Schwulst, A shifting house next to a river of knowledge
    thecreativeindependent.com
    1. ​​House of Leaves​​
    • identity

    If my website is a house, then it's more like House of Leaves – expanding, contracting, shifting infinitely.

  • Terroir

    Terroir is a French term used to describe the environmental factors that affect a crop's phenotype, including unique environment contexts, farming practices and a crop's specific growth habitat. Collectively, these contextual characteristics are said to have a character; terroir also refers to this character.

    Wikipedia
    en.wikipedia.org
    1. ​​The material finds the right object​​
    • identity
  • I am the space where I am

    Je suis l'espace où je suis.

    This is a great line. But nowhere can it be better appreciated than in a corner.

    Gaston Bachelard, The Poetics of Space
    • identity
    • space
  • A dialogue between homogeneity and exception

    All cities can be described as a dialogue between homogeneity and exception, and each strikes a particular balance that is at the core of its character.

    Michael Sorkin, 20 Minutes in Manhattan
    • cities
    • identity
  • I am I, and wish I wasn’t

    Aldous Huxley, Brave New World
    • being
    • identity
    • consciousness
  • My name

    “I am the utterance of my name.”

    — Thunder, Perfect Mind, The Nag Hammadi Library

    Margaret Magnus, Gods of the Word
    1. ​​To call each thing by its right name​​
    • identity
    • names
  • It is still a house

    Perhaps even the very house which I burned to the ground contained such examples, even though it would obviously not contain them any longer, no longer being a house.
    Well, it is still a house.
    Even if there is not remarkably much left of it, I am still prone to think of it as a house when I pass it in taking my walks.
    There is the house I burned to the ground, I might think. Or, soon I will be coming to the house that I burned to the ground.

    David Markson, Wittgenstein's Mistress
    • identity
  • Independent fragments of existence

    You cannot divide me into independent fragments of existence.

    — The Last Panda, 1993

    George B. Schaller, The Pleasure of Observing
    • identity
  • Rearranged

    Put together with odd bits of the useless Clarice, a survivors’ Clarice was taking shape, all huts and hovels, festering sewers, rabbit cages. And yet, almost nothing was lost of Clarice’s former splendor; it was all there, merely arranged in a different order, no less appropriate to the inhabitants’ needs than it had been before.

    Italo Calvino, Invisible Cities
    • structure
    • identity
    • geometry

    Cities & Names 4

  • A city in the distance

    If you saw it, standing in its midst, it would be a different city; Irene is a name for a city in the distance, and if you approach, it changes.

    Italo Calvino, Invisible Cities
    • identity

    Cities & Names 5

  • Process vs. product

    ...more concerned with process than with product, with the actual construction of a self than with self-expression.

    Donald Richie, A Tractate on Japanese Aesthetics
    • design
    • identity
    • making
  • Coolness will rise

    When you have vanquished your selfhood, coolness will rise even from the fire.

    Yoel Hoffman, Japanese Death Poems
    • identity
  • These loose notes

    These loose notes are one possible description of our city. A city that, as in Constantin Cavafy's poem The City, is and always will be the same, in the same city again.

    Smiljan Radić, A Guide to Abandonment
    • cities
    • identity
    • i
  • It flows out and fills

    This deeper meaning of a word isn’t confined to what we think of as a dictionary definition. Rather it flows out and fills all the space available to it. Although a basic sense does affect the dynamics of a word, it has no power over its essence. Like the captain of a ship, it can control the crew’s actions, but not their minds. Each word has an aspect of meaning which lies deeper than any of its senses, and it is fundamentally on this meaning that all the senses depend.

    Margaret Magnus, Gods of the Word
    • words
    • identity
  • Take your names with you

    When the Masai of Kenya were forced to relocate, they took with them the names of hills, rivers, and plains, and fitted them to the topography of their new domicile.

    The same desire is reflected in the countless European place names in the United States, as the borrowed names had the power to project a sense of familiarity in a strange and unfamiliar land.

    Robert McCarter & Juhani Pallasmaa, Understanding Architecture
    • identity
    • names
  • On the edge of something else

    The most common response to the question of symbolism was nothing in the city at all, but rather the sight of the New York City skyline across the river. Much of the characteristic feeling for Jersey City seemed to be that it was a place on the edge of something else.

    Kevin Lynch, The Image of the City
    • place
    • identity
  • Defining activities

    One has to keep in mind how much the technology of doing something defines the activity itself.

    Ursula M. Franklin, The Real World of Technology
    • identity
  • More than just a machine that runs along

    "As far as I'm concerned, a folk art is when you take a utilitarian object, something you use every day, and you give it overlays of your own personality, what it is you feel and so forth. You enhance it with your life. And a folk art in the current period of time would more appropriately be in the area of something like a motorcycle. I mean, a motorcycle can be a lot more than just a machine that runs along; it can be a whole description of a personality and an aesthetic."

    Lawrence Wechler & Robert Irwin, Seeing Is Forgetting the Name of the Thing One Sees
    • identity
    • art
  • We change them and are changed

    "We fill pre-existing forms and when we fill them we change them and are changed."

    — Frank Bidart, Borges and I

    David Foster Wallace, The Pale King
    • change
    • identity
  • Pensées

    A Book by Blaise Pascal
    • identity
    • thinking
    • philosophy
  • Homes at Night

    A Dialogue by Todd Hido
    www.lensculture.com
    FE8567BC-B0C8-4E43-B6CB-33E80F14CC64.jpeg

    Your series Homes at Night is one of my favorites. We never see human silhouettes or the homes’ inhabitants. Why is it important to you that the houses appear on their own?

    Because of the very simple fact that if it is an empty shell, the viewer can place their own memories within it or create a narrative that would otherwise be blocked by the reality of what is actually inside.

    1. ​​[email protected]​​
    • photography
    • memory
    • identity
    • home
  • Idiolect

    A Definition
    en.wikipedia.org

    Idiolect is an individual's unique use of language, including speech. This unique usage encompasses vocabulary, grammar, and pronunciation.

    An idiolect is the variety of language unique to an individual. This differs from a dialect, a common set of linguistic characteristics shared among a group of people.

    1. ​​Things you didn't know you can be bad at​​
    • language
    • personality
    • identity
    • expression
    • speech
  • When I was 22

    A Quote by Nicholas Ashe Bateman
    nofilmschool.com

    What's really challenging for me working on something on an idea level for close to 8 years, it's really hard to not look at yourself. The decision-making process includes a conversation with myself: sometimes I'm going to side with 2015 version of Nick, sometimes the 2017 Nick isn't the right guy for this, etc... So much of the process of making the movie has changed the movie. I really just tried to make the movie I wanted to make when I was 22. When I serviced that, it worked really well.

    1. ​​The idea grows as they work​​
    2. ​​The Wanting Mare​​
    • making
    • identity
  • Rethinking Twitter Verification

    An Article by Terence Eden
    shkspr.mobi

    The main problem, I think, is that no one knows what "Verified" means.

    If I were in charge (which I'm not) there would be various types of ticks.

    🤖 is a bot
    🆔 proved their legal identity
    🏭 is run by a brand
    ⚖ is run by a government department
    👮 Official law enforcement
    😎 Celebrity

    And so on.

    • iconography
    • identity
  • The saddest designer

    An Essay by Chia Amisola
    chias.blog

    I am tired of the premise that creation means productivity––especially in the laborious sense...Creation has become mangled with labor in a world that demands man to monetize all of their hobbies and pursuits. In return, it seems empty, almost sad, really––to be the designer spending weekends again on the screen.

    To tell you what I like to do in the weekends, I like to do the sad thing...The ‘good’ people tell you to detach your life from your workspace, but this summer, I think I’ve just realized how much I adore what I have the luxury of working on everyday.

    In the weekend, I make. I make not because it’s the only thing I have ever known, but because it’s the most certain way forward.

    1. ​​To see the fulfillment of the work​​
    2. ​​Your life adds up​​
    • making
    • identity
    • work
  • Which Books You Truly Love

    An Essay by Salman Rushdie
    www.nytimes.com

    I believe that the books and stories we fall in love with make us who we are, or, not to claim too much, the beloved tale becomes a part of the way in which we understand things and make judgments and choices in our daily lives. A book may cease to speak to us as we grow older, and our feeling for it will fade. Or we may suddenly, as our lives shape and hopefully increase our understanding, be able to appreciate a book we dismissed earlier; we may suddenly be able to hear its music, to be enraptured by its song.

    • reading
    • love
    • identity
    • life
  • This used to be our playground

    An Essay by Simon Collison
    colly.com

    There was a time when owning digital space seemed thrilling, and our personal sites motivated us to express ourselves. There are signs of a resurgence, but too few wish to make their digital house a home.

    1. ​​A shifting house next to a river of knowledge​​
    • www
    • expression
    • identity
    • blogging

See also:
  1. making
  2. names
  3. cities
  4. i
  5. expression
  6. structure
  7. geometry
  8. design
  9. words
  10. place
  11. art
  12. change
  13. thinking
  14. philosophy
  15. being
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  17. space
  18. www
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  24. iconography
  25. networks
  26. information
  27. humanity
  28. language
  29. personality
  30. speech
  31. photography
  32. memory
  33. home
  1. Italo Calvino
  2. Margaret Magnus
  3. Richard Sennett
  4. David Pye
  5. George B. Schaller
  6. Yoel Hoffman
  7. Robert McCarter
  8. Juhani Pallasmaa
  9. Smiljan Radić
  10. Donald Richie
  11. Kevin Lynch
  12. Ursula M. Franklin
  13. Lawrence Wechler
  14. Robert Irwin
  15. David Foster Wallace
  16. Blaise Pascal
  17. David Markson
  18. Aldous Huxley
  19. Michael Sorkin
  20. Gaston Bachelard
  21. Simon Collison
  22. Laurel Schwulst
  23. Dan Klyn
  24. Salman Rushdie
  25. Dorothy Sayers
  26. Chia Amisola
  27. Terence Eden
  28. Charles Broskoski
  29. Justin E. H. Smith
  30. Nicholas Ashe Bateman
  31. Todd Hido