1. ⁘  ⁘  ⁘
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Exchanging Information

Close
  • Induced communication

    I remain mystified by what seems like an exponential increase in the need to communicate induced by the availability of a ready new means to do so, just as new highway capacity produces increased traffic. Witness the cabdrivers who talk uninterrupted on the phone as they travel the city, or the truly huge numbers of people who speak on the phone as they walk down the street: the medium has clearly become the message, if the meaning of the message remains somewhat opaque.

    Michael Sorkin, 20 Minutes in Manhattan
    1. ​​The medium is the message​​
    2. ​​Like trying to cure obesity by loosening your belt​​
    • communication
    • technology
    • media
  • Hypertext 2020

    A Website
    www.kickscondor.com
    Screenshot of www.kickscondor.com on 2020-10-30 at 9.38.56 AM.png
    • hypermedia
    • communication
  • What happened when I stopped using Emojis

    An Article by Clo S.
    thistooshallgrow.com
    Image from thistooshallgrow.com on 2021-06-15 at 1.51.36 PM.png

    In March 2021, I went through a fun self-imposed experiment: no emoji for 2 weeks. Not on social media, not in private messages, not even as Slack or Discord reactions. No emoticon either: the goal was to communicate without illustrations, only with words. I did a semi-rigorous (a.k.a. half-assed) diary study, taking notes on my feelings and behaviour.

    • iconography
    • communication
    • language

    Clo's essay also contains a number of interesting observations on the history and design of emoji.

  • The Ladder of Abstraction

    An Essay by Bret Victor
    worrydream.com
    1. ​​Collaborative Information Architecture at Scale​​
    • information
    • thinking
    • communication
    • abstraction
  • Serendipity

    This was not meant to be like Bell Labs; there were no expectations that the clerical workers would run into their managers in a “serendipitous encounter” and produce a new innovation. The ideas was rather to create a workplace in which status barriers seemed to dissolve, in which participation and friendliness all around made the work environment look less like the white-collar factory it was.

    Nikil Saval, Cubed
    1. ​​The Art of Doing Science and Engineering: Learning to Learn​​
    • teamwork
    • communication
  • And no one dared

    And in the naked light I saw
    Ten thousand people, maybe more
    People talking without speaking
    People hearing without listening
    People writing songs that voices never shared
    And no one dared
    Disturb the sound of silence

    Paul Simon & Art Garfunkel, The Sound Of Silence
    • communication
    • listening
  • Interaction of Color

    A Book by Josef Albers
    yalebooks.yale.edu
    1. ​​The deception of color​​
    2. ​​Practice before theory​​
    3. ​​50 reds​​
    4. ​​Not the what but the how​​
    5. ​​Scotopic seeing​​
    1. ​​Irwin Fluorescents​​
    • color
    • graphics
    • communication
    • teaching
  • Visual Explanations

    A Book by Edward Tufte
    www.edwardtufte.com
    • visualization
    • communication
    • information
  • The Elements of Style

    A Book by William Strunk Jr. & E.B. White
    www.gutenberg.org
    1. ​​Choose a suitable design and hold to it​​
    2. ​​Make the paragraph the unit of composition​​
    3. ​​Use the active voice​​
    4. ​​Put statements in positive form​​
    5. ​​Specific, definite, concrete​​
    1. ​​The Elements of Typographic Style​​
    2. ​​The Elements of Graphing Data​​
    3. ​​The Sense of Style​​
    4. ​​The superficial aspects of what someone else is doing​​
    • writing
    • communication
  • e-worm.club

    A Website by Zach Sherman
    e-worm.club
    Screenshot of e-worm.club on 2021-04-03 at 8.31.17 AM.png

    I’m building a custom pleroma client so that my friends and I can have a cute, self-hosted social network to post about politics and art. Besides being much more visually interesting than our facebook messenger groupchat, e-worm also attempts to solve design problems around conversational, collaborative thinking. The biggest of these problems is the inherent ephemerality of our groupchat— it doesn’t really succeed as a collaborative thinking space because it has no long-term memory. When messages are constantly buried under new ones, it places the burden on us to remember previous conversations. So the ultimate design goal for e-worm is to create a self-archiving conversational interface that preserves thought and helps us keep thinking new things rather than going in intellectual circles.

    • microsites
    • communication
    • thinking
  • z-z-z

    living in symbols
    Bing Xu, Book from the Ground: From Point to Point
    • words
    • communication
    • symbols
  • We must go with them

    "You cannot make what you want to make, but what the material permits you to make. You cannot make out of marble what you would make out of wood, or out of wood what you would make out of stone. Each material has its own life, and one cannot without punishment destroy a living material to make a dumb senseless thing. That is, we must not try to make our materials speak our language, we must go with them to the point where others will understand their language."

    — Constantin Brancusi

    Robert McCarter & Juhani Pallasmaa, Understanding Architecture
    • material
    • language
    • communication
  • The Visual Display of Quantitative Information

    A Book by Edward Tufte
    www.edwardtufte.com
    • visualization
    • communication
    • information
  • Writing and Speaking

    An Essay by Paul Graham
    paulgraham.com

    Being a really good speaker is not merely orthogonal to having good ideas, but in many ways pushes you in the opposite direction...there's a tradeoff between smoothness and ideas. All the time you spend practicing a talk, you could instead spend making it better.

    • writing
    • speech
    • communication
    • practice
  • I don’t believe in Zoom fatigue

    An Article by Matt Webb
    interconnected.org

    It’s not Zoom fatigue, it’s Zoom whiplash.

    It’s a hunch. I can’t prove this.

    The trick to get around this is to move smoothly up and down the gradient of social interaction intensity, never dropping below a basic floor of presence: the sense that there are other people in the same place as you.

    Instead of having two modes, “in a call” and “on my own,” we need to think about multiple ways of being together which, minimally, could be:

    • In a video call
    • In an anteroom to a video call, hearing the sound of others
    • In a doc together
    • On my desktop but with the sense that colleagues are around

    And the job of the designer is to ensure that their software ensures the existence of these different contexts, instead of having the binary on-a-call/not-on-a-call, and to design the transitions between them.

    • communication
    • work
    • transitions
    • software
  • Makespace.fun

    An Application
    makespace.fun

    In today’s software, live video feeds are stuck inside static rectangles that can’t go anywhere. MakeSpace flips all that on its head. Your cursor is your live face, and you can roam free, controlling who and what you want to be close to.

    1. ​​Spatial Interfaces​​
    • details
    • ux
    • communication
    • sound
    • space

    "If a tree falls in MakeSpace, you'll hear it… and know where it fell. That's because sound is spatial here — you can hear where voices and sounds are coming from. And if you need a quiet moment, simply step away."

    Pssssst: Use Caps Lock to broadcast your voice at full volume across the entire Space. For moments when you need everyone's attention.

  • The Art of Looking Sideways

    A Book by Alan Fletcher
    www.alanfletcherarchive.com
    The Art of Looking Sideways.jpg

    Cover art for Alan Fletcher's wonderfully expansive commonplace book.

    1. ​​Thinking is drawing in your head​​
    2. ​​The picket fence​​
    3. ​​The chicken was the egg's idea for getting more eggs​​
    1. ​​The brain is wider than the sky​​
    2. ​​What this site is​​
    • graphics
    • design
    • communication
    • commonplace
    • style
    • collections
  • Half of design is facilitation

    At least half of the work of design is not design, because design isn’t just "making things"—it’s making things with other people, many of whom usually aren’t designers. This is true any time you’re working with others from a domain outside of your own. Communicating ideas, marshaling stakeholder consensus, soliciting and incorporating feedback, and redefining problems that weren’t fully known at the start are all the non-design work of design, what we might generally call "facilitation."

    Brandon Dorn, Collaborative Information Architecture at Scale
    www.viget.com
    • design
    • communication
  • The medium is the message

    A Quote by Marshall McLuhan
    1. ​​Induced communication​​
    2. ​​Only a mind opened to the quality of things​​
    • technology
    • communication
    • information
    • media
  • The Sense of Style

    A Book by Steven Pinker
    1. ​​Classic style​​
    2. ​​The assumption of equality​​
    3. ​​Nominalization​​
    4. ​​The curse of knowledge​​
    5. ​​Structural parallelism​​
    1. ​​The Elements of Style​​
    • writing
    • communication
  • From body to body

    During the design process, the architect gradually internalizes the landscape, the entire context, and the functional requirements as well as his/her conceived building: movement, balance and scale are felt unconsciously through the body of the observer, the experience mirrors the bodily sensations of the maker. Consequently, architecture is communication from the body of the architect directly to the body of the person who encounters the work, perhaps centuries later.

    Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses
    1. ​​In the walls and mosses​​
    • making
    • design
    • time
    • communication
  • Ping-pong patterns

    The role of asynchronicity in unraveling social and political patterns without apparent replacement with other patterns cannot be overestimated. The ping-pong pattern of verbal communication is no longer tied to space or time.

    Ursula M. Franklin, The Real World of Technology
    • communication
  • A city speaks to you mostly by accident

    A city speaks to you mostly by accident — in things you see through windows, in conversations you overhear. It's not something you have to seek out, but something you can't turn off.

    Paul Graham, Cities and Ambition
    • communication
  • He had but to speak

    He had but to speak aloud the words that came into his head, and those around him would fall in line.

    Shane Carruth, Primer
    • words
    • communication
    • persuasion
  • The Iridium System

    Several Low-Earth-Orbit (LEO) networks were proposed, but only one got off the ground: the Iridium system. The original Iridium proposal called for a "constellation" of 77 satellites, which gave the plan its name: the element iridium has atomic number 77, meaning that an iridium atom has 77 orbiting electrons. Before the satellites were launched, the constellation was scaled back to 66 active satellites, but no one wanted to change the name to Dysprosium.

    Brian Hayes, Infrastructure: A Guide to the Industrial Landscape
    • physics
    • communication
    • aerospace
    • cosmos
  • Imagine that we had no voice and no tongue

    Socrates: Imagine that we have no voice and no tongue, but want to communicate with one another. Wouldn’t we like the deaf and the dumb make signs with the hands and the head and the rest of the body?
    Hermogenes: There would be no choice, Socrates.
    Socrates: We would imitate the nature of the thing: lifting the hands to heaven would mean lightness and upwardness. Heaviness and downwardness would be expressed by letting them drop toward the ground...
    Hermogenes: I don’t see that we could do anything else.
    Socrates: And when we want to express ourselves with the voice or tongue or mouth, the expression is simply their imitation of what we want to express?
    Hermogenes: I think, it must be so.

    Margaret Magnus, Gods of the Word
    • communication
  • Envisioning Information

    A Book by Edward Tufte
    www.edwardtufte.com
    • communication
    • visualization
    • information
  • Understanding Understanding

    A Book by Richard Saul Wurman
    www.goodreads.com
    1. ​​A dot went for a walk​​
    2. ​​Admitting ignorance​​
    3. ​​Information imposters​​
    4. ​​Michaelangelo's hammer​​
    5. ​​I won't get​​
    • understanding
    • information
    • design
    • communication
  • The life and death of an internet onion

    A Website by Laurel Schwulst
    the-life-and-death-of-an-internet-onion.com
    Screenshot of the-life-and-death-of-an-internet-onion.com on 2020-08-08 at 8.52.57 PM.png

    In her piece "A drop of love in the cloud" (2018), artist Fei Liu writes about the like/heart button as a flattening affordance of giving affirmation and love. The text-editor provides a much more expressive input.

    But even people who can't communicate well because of language barriers can express love through actions, like cooking food. Can we create other "love inputs" that might allow us to "reach across the chasm of a seamless signal"?

    What is expressing "real" love or affirmation about? Is it about effort, thoughtfulness, generosity, something else? What might a thoughtful or generous interface feel or behave like?

    • love
    • communication
    • ux
    • www
    • microsites
  • Beautiful Evidence

    A Book by Edward Tufte
    www.edwardtufte.com
    • visualization
    • design
    • communication
    • information
    • seeing
    • truth
  • Talking with Clinton

    When you are talking with Clinton, he is not looking over your shoulder to see who else is in the room. You can tell he is not thinking about how he is going to respond to you. He is there, present and listening.

    By the way, when you scramble the letters in the word listen, it becomes a new word: silent. We’re so often wrapped up in our own self-talk, we forget to listen and learn the information in the first place…and you can’t remember or understand something you never observed.

    Richard Saul Wurman, Understanding Understanding
    • communication
    • silence

See also:
  1. information
  2. design
  3. visualization
  4. writing
  5. language
  6. words
  7. technology
  8. media
  9. graphics
  10. thinking
  11. ux
  12. microsites
  13. material
  14. symbols
  15. teamwork
  16. physics
  17. aerospace
  18. cosmos
  19. persuasion
  20. silence
  21. seeing
  22. truth
  23. color
  24. teaching
  25. commonplace
  26. style
  27. collections
  28. abstraction
  29. understanding
  30. love
  31. www
  32. details
  33. sound
  34. space
  35. making
  36. time
  37. speech
  38. practice
  39. hypermedia
  40. iconography
  41. listening
  42. work
  43. transitions
  44. software
  1. Edward Tufte
  2. Juhani Pallasmaa
  3. Richard Saul Wurman
  4. Paul Graham
  5. Robert McCarter
  6. Bing Xu
  7. Nikil Saval
  8. Margaret Magnus
  9. Brian Hayes
  10. Shane Carruth
  11. Ursula M. Franklin
  12. Marshall McLuhan
  13. Josef Albers
  14. Alan Fletcher
  15. William Strunk Jr.
  16. E.B. White
  17. Bret Victor
  18. Laurel Schwulst
  19. Steven Pinker
  20. Michael Sorkin
  21. Brandon Dorn
  22. Clo S.
  23. Paul Simon
  24. Art Garfunkel
  25. Zach Sherman
  26. Matt Webb