1. ⁘  ⁘  ⁘
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  7. Alexander, Christopher 135
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  11. Anderson, Gretchen 7
  12. anxiety 9
  13. Appleton, Maggie 5
  14. Aptekar-Cassels, Wesley 5
  15. Arango, Jorge 4
  16. architecture 110
  17. art 86
  18. Asimov, Isaac 5
  19. attention 17
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  21. Aurelius, Marcus 14
  22. Bachelard, Gaston 12
  23. Baker, Nicholson 10
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  25. Behrensmeyer, Anna K. 7
  26. Bjarnason, Baldur 8
  27. Blake, William 5
  28. blogging 22
  29. body 11
  30. Boeing, Geoff 7
  31. boredom 9
  32. Botton, Alain de 38
  33. Brand, Stewart 4
  34. Bringhurst, Robert 16
  35. Brooks, Frederick P. 22
  36. Broskoski, Charles 6
  37. brutalism 7
  38. building 16
  39. bureaucracy 12
  40. Burnham, Bo 9
  41. business 15
  42. Byron, Lord 14
  43. Cagan, Marty 8
  44. Calvino, Italo 21
  45. Camus, Albert 13
  46. care 6
  47. Carruth, Shane 15
  48. Cegłowski, Maciej 6
  49. Cervantes, Miguel de 7
  50. chance 11
  51. change 16
  52. Chiang, Ted 4
  53. childhood 6
  54. Chimero, Frank 17
  55. choice 8
  56. cities 51
  57. Clark, Robin 3
  58. Cleary, Thomas 8
  59. Cleary, J.C. 8
  60. code 20
  61. collaboration 18
  62. collections 31
  63. color 23
  64. commonplace 11
  65. communication 31
  66. community 7
  67. complexity 11
  68. connection 24
  69. constraints 25
  70. construction 9
  71. content 9
  72. Corbusier, Le 13
  73. Coyier, Chris 4
  74. craft 66
  75. creativity 59
  76. crime 9
  77. Critchlow, Tom 5
  78. critique 10
  79. Cross, Nigel 12
  80. Cross, Anita Clayburn 10
  81. css 11
  82. culture 13
  83. curiosity 11
  84. cycles 7
  85. Danielewski, Mark Z. 4
  86. darkness 28
  87. Darwin, Will 10
  88. data 8
  89. death 38
  90. Debord, Guy 6
  91. decisions 10
  92. design 131
  93. details 31
  94. Dickinson, Emily 9
  95. Dieste, Eladio 4
  96. discovery 9
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  99. drawing 23
  100. Drucker, Peter F. 15
  101. Duany, Andres 18
  102. Eatock, Daniel 4
  103. economics 13
  104. efficiency 7
  105. Eisenman, Peter 8
  106. Eliot, T.S. 14
  107. emotion 8
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  110. Eno, Brian 4
  111. ethics 14
  112. euphony 38
  113. Evans, Benedict 4
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  118. features 25
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  120. flaws 10
  121. Flexner, Abraham 8
  122. food 16
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  124. Fowler, Martin 4
  125. Franklin, Ursula M. 30
  126. friendship 6
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  128. function 31
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  131. Garfield, Emily 4
  132. Garfunkel, Art 6
  133. geography 8
  134. geometry 18
  135. goals 9
  136. Gombrich, E. H. 4
  137. goodness 12
  138. Graham, Paul 37
  139. graphics 13
  140. Greene, Erick 6
  141. Hamming, Richard 45
  142. happiness 17
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  148. Herbert, Frank 4
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  157. html 11
  158. Hudlow, Gandalf 4
  159. humanity 16
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  161. Huxley, Aldous 7
  162. hypermedia 22
  163. i 18
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  167. industry 9
  168. information 42
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  170. innovation 15
  171. interaction 10
  172. interest 10
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  174. intuition 8
  175. invention 10
  176. Irwin, Robert 65
  177. Isaacson, Walter 28
  178. Ishikawa, Sara 33
  179. iteration 13
  180. Ive, Jonathan 6
  181. Jackson, Steven J. 14
  182. Jacobs, Jane 54
  183. Jacobs, Alan 5
  184. Jobs, Steve 20
  185. Jones, Nick 5
  186. Kahn, Louis 4
  187. Kakuzō, Okakura 23
  188. Kaufman, Kenn 4
  189. Keith, Jeremy 6
  190. Keller, Jenny 10
  191. Keqin, Yuanwu 8
  192. Ketheswaran, Pirijan 6
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  198. Klyn, Dan 20
  199. knowledge 29
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  207. light 31
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  215. MacWright, Tom 5
  216. Magnus, Margaret 12
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  219. Manaugh, Geoff 27
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  222. material 39
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  225. meaning 33
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  227. melancholy 52
  228. memory 29
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  230. metrics 19
  231. microsites 49
  232. Miller, J. Abbott 10
  233. Mills, C. Wright 9
  234. minimalism 10
  235. Miyazaki, Hayao 30
  236. Mod, Craig 15
  237. modularity 6
  238. Mollison, Bill 31
  239. morality 8
  240. Murakami, Haruki 21
  241. music 16
  242. Müller, Boris 7
  243. Naka, Toshiharu 8
  244. names 11
  245. Naskrecki, Piotr 5
  246. nature 51
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  248. Neustadter, Scott 3
  249. Noessel, Christopher 7
  250. notetaking 35
  251. novelty 11
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  256. Ott, Matthias 4
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  260. patterns 11
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  342. Ström, Matthew 13
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doors

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  • 112. Entrance Transition

    Problem: Buildings, and especially houses, with a graceful transition between the street and the inside, are more tranquil than those which open directly off the street.

    Solution: Make a transition space between the street and the front door. Bring the path which connects street and entrance through this transition space, and mark it with a change of light, a change of sound, a change of direction, a change of surface, a change of level, perhaps by gateways which make a change of enclosure, and above all with a change of view.

    Christopher Alexander, Murray Silverstein & Sara Ishikawa, A Pattern Language
    1. ​​Walking through doorways causes forgetting​​
    2. ​​53. Main Gateways​​
    3. ​​At the Green Mosque​​
    4. ​​The wind's pulling us in​​
    5. ​​One who has trodden this garden path​​
    6. ​​A more spiritual place​​
    • transitions
    • doors
  • The door handle is the handshake of a building

    Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses
    1. ​​What is this static modernism?​​
    • metaphor
    • doors
    • interaction
  • What is this static modernism?

    Why can't office buildings use doorknobs that are truly knob-like in shape? What is this static modernism that architects of the second tier have imposed on us: steel half-U handles or lathed objects shaped like superdomes, instead of brass, porcelain, or glass knobs? The upstairs doorknobs in the house I grew up in were made of faceted glass. As you extended your fingers to open a door, a cloud of flesh-color would diffuse into the glass from the opposite direction. The knobs were loosely seated in their latch mechanism, and heavy, and the combination of solidity and laxness made for a multiply staged experience as you turned the knob: a smoothness that held intermediary tumbleral fallings-into-position. Few American products recently have been able to capture that same knuckly, orthopedic quality.

    Nicholson Baker, The Mezzanine
    1. ​​The door handle is the handshake of a building​​
    • modernism
    • doors
    • touch
    • objects
  • Always start at the doorstep

    If you are having trouble knowing where to start, always start at the doorstep.

    Bill Mollison, Introduction to Permaculture
    • doors
    • wisdom
  • At the Green Mosque

    In Broussa in Asia Minor, at the Green Mosque, you enter by a little doorway of normal human height; a quite small vestibule produces in you the necessary change of scale so that you may appreciate, as against the dimensions of the street and the spot you come from, the dimensions with which is is intended to impress you. Then you can feel the noble size of the mosque and your eyes can take its measure. You are in a great white marble space filled with light. Beyond you can see a second similar space of the same dimensions, but in half-light and raised on several steps (repetition in a minor key); on each side still a smaller space in subdued light; turning round, you have two very small spaces in shade.

    From full light to shade, a rhythm. Tiny doors and enormous bays. You are captured, you have lost the sense of the common scale. You are enthralled by a sensorial rhythm (light and volume) and by an able use of scale and measure, into a world of its own which tells you what it set out to tell you.

    Le Corbusier, Towards a New Architecture
    1. ​​112. Entrance Transition​​
    • doors
  • Open doors, open minds

    I suspect the open mind leads to the open door, and the open door tends to lead to the open mind; they reinforce each other.

    Richard Hamming, You and Your Research
    • doors
  • Walking through doorways causes forgetting

    A Research Paper
    news.nd.edu

    Entering or exiting through a doorway serves as an ‘event boundary’ in the mind, which separates episodes of activity and files them away. Recalling the decision or activity that was made in a different room is difficult because it has been compartmentalized.

    1. ​​112. Entrance Transition​​
    • memory
    • architecture
    • walking
    • exits
    • doors

See also:
  1. memory
  2. architecture
  3. walking
  4. exits
  5. transitions
  6. wisdom
  7. metaphor
  8. interaction
  9. modernism
  10. touch
  11. objects
  1. Richard Hamming
  2. Christopher Alexander
  3. Murray Silverstein
  4. Sara Ishikawa
  5. Le Corbusier
  6. Bill Mollison
  7. Juhani Pallasmaa
  8. Nicholson Baker