m o t i o n l e s s
m o t i o n l se s
m o t i o n sle s
m o t i osn l e s
m o t i so n l e s
m o t si o n l e s
m ost i o n l e s
m so t i o n l e s sm o t i o n l e s s om t i o n l e s s o m t i no l e s s o m t ni o l e s s o m nt i o l e s s o m n t oi l e s s o m n oti l e s s o m n o t lie s s o m n o lt i e s s o m n o l it e s
I've been tracking my listening habits with last.fm since I was in high school. As I'm about to turn 30, it's nice to be able to look back on almost my entire adult life – to see how I've changed and how my tastes have changed with me.
Ruskin's Seven Lamps of Architecture provided seven guides, or 'lamps', for the troubled craftsman, guides for anyone who works directly on material things. These seven are:
The lamp of sacrifice: The willingness to do something well for its own sake.
The lamp of truth: The truth that 'breaks and rents continually'; Ruskin's embrace of difficulty, resistance, and ambiguity.
The lamp of power: Tempered power, guided standards other than blind will.
The lamp of beauty: Which for Ruskin is found more in the detail, the ornament—hand-sized beauty—than in the large design.
The lamp of life: Life equating with struggle and energy, death with deadly perfection.
The lamp of memory: The guidance provided by the time before machinery ruled.
The lamp of obedience: Obedience to the example set by a master's practice rather than by his particular works; otherwise put, strive to be like Stradivari but do not seek to copy his particular violins.