The innocence of the eye

The perception of solid form is entirely a matter of experience. We see nothing but flat colors; and it is only by a series of experiments that we find out that a stain of black or grey indicates the dark side of a solid substance... The whole technical power of painting depends on our recovery of what may be called the innocence of the eye; that is to say, of a sort of childish perception of these flat stains of color, merely as such, without consciousness of what they signify, as a blind man would see them if suddenly gifted with sight.

  1. ‚Äč‚ÄčThe skill of perception‚Äč‚Äč
  2. ‚Äč‚Äčthe innocent i‚Äč‚Äč