Yanagi Sōetsu
What is Pattern?
Handicrafts and Sesshu
Okinawa's Bashofu
A Painted Karatsu as Food for Thought
Recently there is a tendency to pursue distortion in art, but in the case of this jar, natural deformation has raised distortion to the level of spontaneous beauty.
Woodblock Prints
An Essay from The Beauty of Everyday Things by Yanagi SōetsuIt seems to me that many printmakers are suffering under a delusion. Looking at current trends, it appears that recent prints are simply copying fine art and painting. Some printmakers are working in the nanga style of painting. Others are attempting to reproduce the effects of oil. Some cleverly contrived prints are often difficult to distinguish from paintings done with a brush. The question arises: Why are these printmakers working in the medium of woodblock printing at all?
For prints to follow in the footsteps of painting has very little meaning. The art of the brush and palette should be left to the brush and palette.
Seeing and Knowing
An Essay from The Beauty of Everyday Things by Yanagi SōetsuThe results of intuition can be studied by the intellect, but the intellect cannot give birth to intuition.
The Japanese Perspective
An Essay from The Beauty of Everyday Things by Yanagi SōetsuGenerally speaking, the Western perception of art has its roots in Greece. For a long time its goal was perfection, which is particularly noticeable in Greek sculpture. This was in keeping with Western scientific thinking; there are no painters like Andrea Mantegna in the East. I am tempted to call such art ‘the art of even numbers’.
In contrast to this, what the Japanese eye sought was the beauty of imperfection, which I would call ‘the art of odd numbers’. No other country has pursued the art of imperfection as eagerly as Japan.
The Beauty of Kasuri
An Essay from The Beauty of Everyday Things by Yanagi SōetsuThe Characteristics of Kogin
An Essay from The Beauty of Everyday Things by Yanagi SōetsuThe Beauty of Miscellaneous Things
An Essay from The Beauty of Everyday Things by Yanagi SōetsuWashi
An Essay from The Beauty of Everyday Things by Yanagi SōetsuHandmade washi (traditional Japanese paper) is replete with appeal. Looking at it, touching it, fills me with an indescribable sense of satisfaction. The more beautiful it is, however, the more difficult it is to put to use. Only a master of calligraphy could possibly add to its beauty; it is exquisite just as it is. This is wonderfully strange, for it is merely a simple material. Yet plain and undecorated as it is, it is alive with nuanced beauty. Good washi makes possible our most ambitious creative dreams.
What is Folk Craft?
An Essay from The Beauty of Everyday Things by Yanagi Sōetsu
Upstream Color
The same material as the sun
I have to apologize. I was born with a disfigurement where my head is made of the same material as the sun. It makes it impossible for you to look directly at me. It has always been this way.
When it goes wrong
Kris: It's not my fault when it goes wrong.
Jeff: Yes it is.
Upstream Color Original Soundtrack
- Leaves Expanded May Be Prevailing Blue Mixed With Yellow Of The Sand
- I Used To Wonder At The Halo Of Light Around My Shadow And Would Fancy Myself One Of The Elect
- Fearing That They Would Be Light-headed For Want Of Food And Also Sleep
- Stirring Them Up As The Keeper Of A Menagerie His Wild Beasts
- The Finest Qualities Of Our Nature Like The Bloom On Fruits Can Be Preserved
- Perhaps The Wildest Sound That Is Ever Heard Here Making The Woods Ring Far And Wide
- I Love To Be Alone
- A Young Forest Growing Up Under Your Meadows
- Their Roots Reaching Quite Under The House
- The Rays Which Stream Through The Shutter Will Be No Longer Remembered When The Shutter Is Wholly Removed
- After Soaking Two Years And Then Lying High Six Months It Was Perfectly Sound Though Waterlogged Past Drying
- The Sun Is But A Morning Star
- A Low And Distant Sound Gradually Swelling And Increasing
- As If It Would Have A Universal And Memorable Ending
- A Sullen Rush And Roar