The drift The Situationists were also practitioners of a special urban-analytic walking style, the dérive—the “drift”—which Debord described as “a technique of transient passage through varied ambiences. The dérive entails playful-constructive behavior and awareness of psychogeographical effects; which completely distinguishes it from the classical notions of the journey and the stroll.” “In a dérive,” Debord deadpans, “one or more persons during a certain period drop their usual motives for movement and action, their relations, their work and leisure activities, and let themselves be drawn by the attractions of the terrain and the encounters they find there." The dérive joins the free association of surrealism, the LSD of hippiedom, and cinematic montage as tactics for overcoming the fixity of received ideas of order and logic. By putting progress through the city into a state of constant indeterminacy, it represents a schooled “style” of being lost. Michael Sorkin, 20 Minutes in Manhattan PsychogeographyRaindrops leaving an erratic trail psychologymovement
The axis of movement Moving in the city means constantly changing the axis of movement. In general, lateral movement is confined to a single plane, what’s called grade, the ground level. Because circulation in multistory buildings is fundamentally one way—which is to say from the bottom up—the condition at the top is invariably different from that at the bottom. Rooftop circulation is the domain of Fantômas, of cat burglars and fleeing criminals, of lovers, and of those acrobatic enough to negotiate the gaps between buildings. Michael Sorkin, 20 Minutes in Manhattan A Burglar's Guide to the City movement
Tractatus Logico-Philosophicus A Book by Ludwig Wittgenstein www.gutenberg.org The totality of factsEverything that can be saidI am my worldEthics and aesthetics are oneWhereof one cannot speak
The totality of facts The world is the totality of facts, not of things. The world is determined by the facts, and by these being all the facts. For the totality of facts determines both what is the case, and also all that is not the case.
Everything that can be said Everything that can be thought at all can be thought clearly. Everything that can be said can be said clearly. What can be put into words understanding
I am my world What we cannot think, that we cannot think: we cannot therefore say what we cannot think. In fact what solipsism means is quite correct, only it cannot be said, but it shows itself. That the world is my world, shows itself in the fact that the limits of that language (the language which I understand) mean the limits of my world. I am my world. (The microcosm.) The thinking, presenting subject; there is no such thing.
Ethics and aesthetics are one Hence also there can be no ethical propositions. Propositions cannot express anything higher. It is clear that ethics cannot be expressed. Ethics is transcendental. (Ethics and aesthetics are one.)
Whereof one cannot speak My propositions are elucidatory in this way: he who understands me finally recognizes them as senseless, when he has climbed out through them, on them, over them. (He must, so to speak, throw away the ladder, after he has climbed up on it.) He must surmount these propositions; then he sees the world rightly. Whereof one cannot speak, thereof one must be silent. What can be put into words meaning