Restrained beauty Braun design had a beauty that was more than skin deep. It would be wrong to say that because the Braun approach spurned fashion in an ongoing quest for functional and useable perfection, it ended up with this beauty by accident. There is a very strong aesthetic sense in both the proportion and materials of nearly all the products of the Rams era. They have a ‘restrained beauty’, he admits. Braun products designed by Rams and his team have a haptic aesthetic as well: when you pick them up, handle them, and use them as the tools they are supposed to be, you become aware of the effort that has gone into making them sit comfortably in the hand, of the texture, weight and balance they possess, and of the satisfying click of the control buttons. Sophie Lovell & Dieter Rams, Dieter Rams: As Little Design as Possible Such an unholy alliance beautytouchtexture
This tactile form of doodling Paper clips have also served as objects of more inwardly directed aggression by providing something for the fingers to twist grotesquely out of shape during phone calls, interviews, and meetings. This tactile form of doodling may consume only a fraction of the twenty billion paper clips produced each year, but it underscores the almost limitless functions to which a single form can lead. Henry Petroski, The Evolution of Useful Things In ways you didn't anticipateAll sorts of ways to use the machineStretching the product drawingtouch
What is this static modernism? Why can't office buildings use doorknobs that are truly knob-like in shape? What is this static modernism that architects of the second tier have imposed on us: steel half-U handles or lathed objects shaped like superdomes, instead of brass, porcelain, or glass knobs? The upstairs doorknobs in the house I grew up in were made of faceted glass. As you extended your fingers to open a door, a cloud of flesh-color would diffuse into the glass from the opposite direction. The knobs were loosely seated in their latch mechanism, and heavy, and the combination of solidity and laxness made for a multiply staged experience as you turned the knob: a smoothness that held intermediary tumbleral fallings-into-position. Few American products recently have been able to capture that same knuckly, orthopedic quality. Nicholson Baker, The Mezzanine The door handle is the handshake of a building modernismdoorstouchobjects
Time turned into shape A pebble polished by waves is pleasurable to the hand, not only because of its soothing shape, but because it expresses the slow process of its formation; a perfect pebble on the palm materializes duration, it is time turned into shape. Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses timetouchform
Vision reveals what the touch already knows Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses touchvision
Crown A Poem by Kay Ryan www.poetryfoundation.org Too much rain loosens trees. In the hills giant oaks fall upon their knees. You can touch parts you have no right to— places only birds should fly to. naturetreesmelancholytouch
To see, to caress A Quote by Johann Wolfgang von Goethe The hands want to see, the eyes want to caress. The Eyes of the Skin: Architecture and the Senses touchseeing
Field Notes on Science and Nature A Book by Michael R. Canfield www.hup.harvard.edu An endless living worldWhy Sketch?Letters to the FutureOne and a Half Cheers for List-KeepingLinking Researchers Across Generations+8 More The Student, The Fish, and Agassiz
An endless living world If there is a heaven, and I am allowed entrance, I will ask for no more than an endless living world to walk through and explore. learningnaturereligionwalking
Why Sketch? An Essay by Jenny Keller What you have observed closelyA single imageParallel refinementColor reproductionThe negative spaces+4 More Conversational drawingThe Beauty of the Overlooked
Letters to the Future An Essay by John D. Perrine & James L. Patton The lapse of many yearsThe Grinnell SystemJim's systemJohn's systemRecord them all+3 More
One and a Half Cheers for List-Keeping An Essay by Kenn Kaufman I don't need that birdList-chasingThe maximization method
Linking Researchers Across Generations An Essay by Anna K. Behrensmeyer Future valueTime capsulesTools of the digital ageFive basic rulesBonewalks+1 More
Why Keep a Field Notebook? An Essay by Erick Greene Pick one thingLab notebooksHybrid journalsA fertile incubatorBest practices
The Spoken and the Unspoken An Essay by Karen L. Kramer What is unspokenResearch questionsQuantitative data collectionAnthropological rapportScan samples, focal follows+4 More The observer effect
Note-Taking for Pencilophobes An Essay by Piotr Naskrecki MantisAn extension of my brainRecordingsThe era of paper
The Evolution and Fate of Botanical Field Books An Essay by James L. Reveal To serve as a reminderSterile creaturesFurther and further away
The Pleasure of Observing An Essay by George B. Schaller AbbreviationBeyond dry factsA study should persistPrecious intangible valuesIndependent fragments of existence+1 More
In the Eye of the Beholder An Essay by Jonathan Kingdon Haven't you noticed?Wordless questioningOutlinesAgents of thought and experiment
Untangling the Bank An Essay by Bernd Heinrich Specific aimsMore than a witnessPeculiaritiesSecrecyIf it wasn't written down+1 More
A Reflection of the Truth An Essay by Roger Kitching The need to recordMental infrastructureScientific writingA three-layered process of documentationIncidental details+1 More