In a mass of large bubbles The froth, therefore, though lacking long-range symmetry, nevertheless has very definite rules as to its composition. It is pleasing in appearance because the eye senses this interplay between regularity and irregularity. Structure, Substructure, and Superstructure symmetry
We wonder which is real, he of the picture or he who talks? In the tea room the fear of repetition is a constant presence. The various objects for the decoration of a room should be so selected that no color or design shall be repeated. If you have a living flower, a painting of flowers is not allowable. If you are using a round kettle, the water pitcher should be angular. A cup with a black glaze should not be associated with a tea-caddy of black lacquer. In placing a vase or an incense burner on the tokonoma, care should be taken not to put it in the exact center, lest it divide the space into equal halves. The pillar of the tokonoma should be of a different kind of wood from the other pillars, in order to break any suggestion of monotony in the room. Here again the Japanese method of interior decoration differs from that of the Occident, where we see objects arrayed symmetrically on mantelpieces and elsewhere. In Western houses we are often confronted with what appears to us useless reiteration. We find it trying to talk to a man while his full-length portrait stares at us from behind his back. We wonder which is real, he of the picture or he who talks, and feel a curious conviction that one of them must be fraud. Okakura Kakuzō, The Book of Tea repetitionsymmetry
Field Notes on Science and Nature A Book by Michael R. Canfield www.hup.harvard.edu An endless living worldWhy Sketch?Letters to the FutureOne and a Half Cheers for List-KeepingLinking Researchers Across Generations+8 More The Student, The Fish, and Agassiz
An endless living world If there is a heaven, and I am allowed entrance, I will ask for no more than an endless living world to walk through and explore. learningnaturereligionwalking
Why Sketch? An Essay by Jenny Keller What you have observed closelyA single imageParallel refinementColor reproductionThe negative spaces+4 More Conversational drawingThe Beauty of the Overlooked
Letters to the Future An Essay by John D. Perrine & James L. Patton The lapse of many yearsThe Grinnell SystemJim's systemJohn's systemRecord them all+3 More
One and a Half Cheers for List-Keeping An Essay by Kenn Kaufman I don't need that birdList-chasingThe maximization method
Linking Researchers Across Generations An Essay by Anna K. Behrensmeyer Future valueTime capsulesTools of the digital ageFive basic rulesBonewalks+1 More
Why Keep a Field Notebook? An Essay by Erick Greene Pick one thingLab notebooksHybrid journalsA fertile incubatorBest practices
The Spoken and the Unspoken An Essay by Karen L. Kramer What is unspokenResearch questionsQuantitative data collectionAnthropological rapportScan samples, focal follows+4 More The observer effect
Note-Taking for Pencilophobes An Essay by Piotr Naskrecki MantisAn extension of my brainRecordingsThe era of paper
The Evolution and Fate of Botanical Field Books An Essay by James L. Reveal To serve as a reminderSterile creaturesFurther and further away
The Pleasure of Observing An Essay by George B. Schaller AbbreviationBeyond dry factsA study should persistPrecious intangible valuesIndependent fragments of existence+1 More
In the Eye of the Beholder An Essay by Jonathan Kingdon Haven't you noticed?Wordless questioningOutlinesAgents of thought and experiment
Untangling the Bank An Essay by Bernd Heinrich Specific aimsMore than a witnessPeculiaritiesSecrecyIf it wasn't written down+1 More
A Reflection of the Truth An Essay by Roger Kitching The need to recordMental infrastructureScientific writingA three-layered process of documentationIncidental details+1 More