How each sentence got that way When the work is really complete, the writer knows how each sentence got that way. Verlyn Klinkenborg, Several Short Sentences About Writing intent
Cutting through to the truth The essential thing in the art of epistemic rationality is to understand how every rule is cutting through to the truth in the same movement. Your sword has no blade. It has only your intention. When that goes astray you have no weapon. Eliezer Yudkowsky, Rationality: From AI to Zombies Your intention to cut intent
Flurry and lapse "The process in creating that kind of canvas was like—what?—10 percent action and 90 percent ass scratching. First you prepared yourself, cleaning up and arranging your palette and tools, sweeping the floors, and then finally, when you were ready, you faced the empty white expanse of white canvas and made your first stroke." Lawrence Wechler & Robert Irwin, Seeing Is Forgetting the Name of the Thing One Sees intentcreativitymaking
Input as collage An Article by Austin Kleon austinkleon.com Your output depends on your input, but a lot of your input is random: you’re interested in lots of different things, and those things, occasionally, will talk to each other in your work. Lately I’ve been thinking about being more intentional with input. Thinking about input as collage. Taking the principle of juxtaposition (1+1=3) and using that to guide your input: what weird, seemingly disparate things can you feed your brain that will come out later in a new mix? The input collage can be subject or genre based and even better if it’s multi-media. ...There’s a balance here between feeding your brain intentionally and then backing off and letting your brain do the subconscious work of mixing your inputs together. creativityintent
AI-driven "Design"? An Article by Jorge Arango jarango.com Like a programming language interpreter, GPT-3 translates the designer’s intent from a language they’re already familiar with (English) to one they need to learn (Figma’s information architecture, as manifested in its UI.) This can be easier for a new/busy designer, much like Python is easier and faster to work with than assembly language. But that’s not “designing” — at least not any more than compiling Python code is “programming.” In both cases, all the system does is translate human intent into a lower level of abstraction. Sure, the process saves time — but the key is getting the intent part right. I’ll be convinced the system is “designing” when it can produce a meaningful output to a directive like “change the product page’s layout to increase conversions.” aidesignintentabstraction
Your intention to cut A Quote by Miyamoto Musashi The primary thing when you take a sword in your hands is your intention to cut the enemy, whatever the means. Whenever you parry, hit, spring, strike or touch the enemy’s cutting sword, you must cut the enemy in the same movement. It is essential to attain this. If you think only of hitting, springing, striking or touching the enemy, you will not be able actually to cut him. Rationality: From AI to ZombiesCutting through to the truth warintent
Field Notes on Science and Nature A Book by Michael R. Canfield www.hup.harvard.edu An endless living worldWhy Sketch?Letters to the FutureOne and a Half Cheers for List-KeepingLinking Researchers Across Generations+8 More The Student, The Fish, and Agassiz
An endless living world If there is a heaven, and I am allowed entrance, I will ask for no more than an endless living world to walk through and explore. learningnaturereligionwalking
Why Sketch? An Essay by Jenny Keller What you have observed closelyA single imageParallel refinementColor reproductionThe negative spaces+4 More Conversational drawingThe Beauty of the Overlooked
Letters to the Future An Essay by John D. Perrine & James L. Patton The lapse of many yearsThe Grinnell SystemJim's systemJohn's systemRecord them all+3 More
One and a Half Cheers for List-Keeping An Essay by Kenn Kaufman I don't need that birdList-chasingThe maximization method
Linking Researchers Across Generations An Essay by Anna K. Behrensmeyer Future valueTime capsulesTools of the digital ageFive basic rulesBonewalks+1 More
Why Keep a Field Notebook? An Essay by Erick Greene Pick one thingLab notebooksHybrid journalsA fertile incubatorBest practices
The Spoken and the Unspoken An Essay by Karen L. Kramer What is unspokenResearch questionsQuantitative data collectionAnthropological rapportScan samples, focal follows+4 More The observer effect
Note-Taking for Pencilophobes An Essay by Piotr Naskrecki MantisAn extension of my brainRecordingsThe era of paper
The Evolution and Fate of Botanical Field Books An Essay by James L. Reveal To serve as a reminderSterile creaturesFurther and further away
The Pleasure of Observing An Essay by George B. Schaller AbbreviationBeyond dry factsA study should persistPrecious intangible valuesIndependent fragments of existence+1 More
In the Eye of the Beholder An Essay by Jonathan Kingdon Haven't you noticed?Wordless questioningOutlinesAgents of thought and experiment
Untangling the Bank An Essay by Bernd Heinrich Specific aimsMore than a witnessPeculiaritiesSecrecyIf it wasn't written down+1 More
A Reflection of the Truth An Essay by Roger Kitching The need to recordMental infrastructureScientific writingA three-layered process of documentationIncidental details+1 More