The Name of the Rose A Book by Umberto Eco How beautiful the world would be if there were a procedure for moving through labyrinths
Low wooden silhouettes While [Kenzo] Tange aspired to verticality, we looked to horizontality, believing that pre-1964 Tokyo, with its low wooden silhouettes, was a better model for the city of the future. Kengo Kuma, My Life as an Architect in Tokyo 21. Four-Story Limit