In praise of pastiche An Essay by Samuel Hughes www.worksinprogress.co So: it is perfectly true that contemporary traditional architecture tends to be structurally dishonest. But traditional architecture has always tended to be structurally dishonest. So if this is what makes contemporary traditional architecture pastiche, then most traditional architecture has been pastiche since the faux timbering of the Parthenon. Contemporary traditional architects have most of the great builders of our history as their companions in guilt. architecturetraditionmaterial
Against the survival of the prettiest An Essay by Samuel Hughes www.worksinprogress.co What has emerged here is that although survivorship bias probably does contribute to that to some extent, it is not the main explanation: premodern buildings may on average have been a bit less beautiful than those that have survived, but they still seem to have been ugly far less often than recent buildings are. The survivorship theory sought to explain the apparent rise of ugliness in terms of a bias in the sample of buildings we are observing. There is another kind of bias theory, which seeks to explain it in terms of a bias in the observer, saying for instance that every generation is disposed to find recent buildings uglier than older ones, and that this is why recent buildings seem so to us. This is a complex and interesting idea, which I am not going to assess on this occasion. Suppose, though, that our eyes are to be trusted. If this is so, strange and eerie truths rise before us: that ugly buildings were once rare, that the ‘uglification of the world’ is real and that it is happening all around us. urbanismarchitecturebeauty
Field Notes on Science and Nature A Book by Michael R. Canfield www.hup.harvard.edu An endless living worldWhy Sketch?Letters to the FutureOne and a Half Cheers for List-KeepingLinking Researchers Across Generations+8 More The Student, The Fish, and Agassiz
An endless living world If there is a heaven, and I am allowed entrance, I will ask for no more than an endless living world to walk through and explore. learningnaturereligionwalking
Why Sketch? An Essay by Jenny Keller What you have observed closelyA single imageParallel refinementColor reproductionThe negative spaces+4 More Conversational drawingThe Beauty of the Overlooked
Letters to the Future An Essay by John D. Perrine & James L. Patton The lapse of many yearsThe Grinnell SystemJim's systemJohn's systemRecord them all+3 More
One and a Half Cheers for List-Keeping An Essay by Kenn Kaufman I don't need that birdList-chasingThe maximization method
Linking Researchers Across Generations An Essay by Anna K. Behrensmeyer Future valueTime capsulesTools of the digital ageFive basic rulesBonewalks+1 More
Why Keep a Field Notebook? An Essay by Erick Greene Pick one thingLab notebooksHybrid journalsA fertile incubatorBest practices
The Spoken and the Unspoken An Essay by Karen L. Kramer What is unspokenResearch questionsQuantitative data collectionAnthropological rapportScan samples, focal follows+4 More The observer effect
Note-Taking for Pencilophobes An Essay by Piotr Naskrecki MantisAn extension of my brainRecordingsThe era of paper
The Evolution and Fate of Botanical Field Books An Essay by James L. Reveal To serve as a reminderSterile creaturesFurther and further away
The Pleasure of Observing An Essay by George B. Schaller AbbreviationBeyond dry factsA study should persistPrecious intangible valuesIndependent fragments of existence+1 More
In the Eye of the Beholder An Essay by Jonathan Kingdon Haven't you noticed?Wordless questioningOutlinesAgents of thought and experiment
Untangling the Bank An Essay by Bernd Heinrich Specific aimsMore than a witnessPeculiaritiesSecrecyIf it wasn't written down+1 More
A Reflection of the Truth An Essay by Roger Kitching The need to recordMental infrastructureScientific writingA three-layered process of documentationIncidental details+1 More