Hyperart: Thomasson A Book by Genpei Akasegawa & Matt Fargo kaya.com No ordinary objectsThomassons artrepair
Low wooden silhouettes While [Kenzo] Tange aspired to verticality, we looked to horizontality, believing that pre-1964 Tokyo, with its low wooden silhouettes, was a better model for the city of the future. Kengo Kuma, My Life as an Architect in Tokyo 21. Four-Story Limit