barnsworthburning.net
- What this site is
- Colophon
- Contact me
- Shortlist of interesting spaces
- Behind the scenes
m o t i o n l e s s
m o t i o n l s e s
m o t i o n s l e s
m o t i o s n l e s
m o t i s o n l e s
m o t s i o n l e s
m o s t i o n l e s
m s o t i o n l e s
s m o t i o n l e s
s o m t i o n l e s
s o m t i n o l e s
s o m t n i o l e s
s o m n t i o l e s
s o m n t o i l e s
s o m n o t i l e s
s o m n o t l i e s
s o m n o l t i e s
s o m n o l i t e s
Collections of articles, links, and other material from around the web, relevant to software design and engineering.
I've been tracking my listening habits with last.fm since I was in high school. As I'm about to turn 30, it's nice to be able to look back on almost my entire adult life – to see how I've changed and how my tastes have changed with me.
Tones appear placed and directed predominantly in time from before to now to later.
Their juxtaposition in a musical composition is perceived
within a prescribed sequence only.
Horizontally, the tones follow each other,
perhaps not in a straight line, but of necessity in a prescribed order
and only in 1 direction – forward.
Tones heard earlier fade, and those farther back disappear, vanish.
We do not hear them backward.Colors appear connected predominantly in space. Therefore,
as constellations they can be seen in any direction and
at any speed. And as they remain, we can return to them repeatedly
and in many ways.
This remaining and not remaining, or vanishing and not vanishing,
shows only 1 essential difference between the fields of tone
and color.The accuracy of perception in one field is matched
by the durability of retention in the other, demonstrating
a curious reversal in visual and auditory memory.